Examining a wide range of historical, artistic, literary, and theoretical works, Galia Ofek shows how changing patterns of power relations between women and patriarchy are rendered anew when viewed through the lens of Victorian hair codes and imagery during the second half of the nineteenth century. Her innovative study reveals the Victorians' well-developed awareness of fetishism and their cognizance of hair's symbolic resonance and commercial value.
Examining a wide range of historical, artistic, literary, and theoretical works, Galia Ofek shows how changing patterns of power relations between women and patriarchy are rendered anew when viewed through the lens of Victorian hair codes and imagery during the second half of the nineteenth century. Her innovative study reveals the Victorians' well-developed awareness of fetishism and their cognizance of hair's symbolic resonance and commercial value.
Galia Ofek (B.A. Hebrew University; M. Phil, D. Phil Oxford University) teaches at the Hebrew University of Jerusalem, where she has held the Golda Meir and Lafer Postdoctoral Research Fellowships. She is currently working on a new book, The New Woman's Testament: Biblical Narratives, Allusions and Imagery in New Woman and Anti-Feminist Fiction and Journalism 1880-1915, supported by the British Academy, AHRC and ESRC.
Inhaltsangabe
Contents: Preface Hair theorized Hair fetishized in Victorian culture Hair domesticated by male novelists Hair fashioned by women authors Sensational hair Funny hair Conclusion Bibliography Index.