Considered by many film critics as the master of Japanese Cinema, director Ozu Yasujiro still inspires filmmakers both within and outside of Japan. The Cinema of Ozu presents new perspectives on Ozu's aesthetic sensibility and his influence on global art cinema directors.
Considered by many film critics as the master of Japanese Cinema, director Ozu Yasujiro still inspires filmmakers both within and outside of Japan. The Cinema of Ozu presents new perspectives on Ozu's aesthetic sensibility and his influence on global art cinema directors.
Jinhee Choi is Reader in Film Studies at Kings College London
Inhaltsangabe
* Introduction * Jinhee Choi * Branding Ozu * 1. Watch Again! Look Well! Look! David Bordwell * 2. Ozu, The Ineffable Darrell W Davis * 3. Ozu to Asia via Hasumi Aaron Gerow * 4. A Dialogue with 'Memory' in Hou Hsiao-hsien's Café Lumière - Mitsuyo Wada-Marciano * 5. Ozuesque as a Sensibility: or On the notion of Influence Jinhee Choi * Historicizing Ozu * 6. A New Form of Silent Cinema: Intertitles and Interlocutions in Ozu Yasujiro's Late Silent Films Michael Raine * 7. Ozu and the Aesthetics of Shadow: Lighting and Cinematography in There Was a Father (Chichi ariki, 1942)Daisuke Miyao * 8. Modernity, Shoshimin Films and the Proletarian-Film Movement: Ozu in Dialogue with Vertov Yuki Takinami * 9. Laughing in the Shadows of Empire: Humor in Ozu's Brothers and Sisters of the Toda Family (1941) Junji Yoshida * Tracing Ozu * 10. Autumn Afternoons: Negotiating the Ghost of Ozu in Iguchi Nami's Dogs and Cats - Adam Bingham * 11. Playing the Holes: Notes on the Ozuesque Gags Manuel Garin and Albert Elduque * 12. Rhythm, Texture, Moods: Ozu Yasujiro, Claire Denis and a Vision of a Post-colonial Aesthetic Kate Taylor-Jones * 13. Wenders Travels with Ozu Mark Betz * 14. Look? Optical / Sound Situations and Interpretation: Ozu - (Deleuze) - Kiarostami David Deamer * 15. Sparse or Slow: Ozu and Joanna Hogg William Brown
* Introduction * Jinhee Choi * Branding Ozu * 1. Watch Again! Look Well! Look! David Bordwell * 2. Ozu, The Ineffable Darrell W Davis * 3. Ozu to Asia via Hasumi Aaron Gerow * 4. A Dialogue with 'Memory' in Hou Hsiao-hsien's Café Lumière - Mitsuyo Wada-Marciano * 5. Ozuesque as a Sensibility: or On the notion of Influence Jinhee Choi * Historicizing Ozu * 6. A New Form of Silent Cinema: Intertitles and Interlocutions in Ozu Yasujiro's Late Silent Films Michael Raine * 7. Ozu and the Aesthetics of Shadow: Lighting and Cinematography in There Was a Father (Chichi ariki, 1942)Daisuke Miyao * 8. Modernity, Shoshimin Films and the Proletarian-Film Movement: Ozu in Dialogue with Vertov Yuki Takinami * 9. Laughing in the Shadows of Empire: Humor in Ozu's Brothers and Sisters of the Toda Family (1941) Junji Yoshida * Tracing Ozu * 10. Autumn Afternoons: Negotiating the Ghost of Ozu in Iguchi Nami's Dogs and Cats - Adam Bingham * 11. Playing the Holes: Notes on the Ozuesque Gags Manuel Garin and Albert Elduque * 12. Rhythm, Texture, Moods: Ozu Yasujiro, Claire Denis and a Vision of a Post-colonial Aesthetic Kate Taylor-Jones * 13. Wenders Travels with Ozu Mark Betz * 14. Look? Optical / Sound Situations and Interpretation: Ozu - (Deleuze) - Kiarostami David Deamer * 15. Sparse or Slow: Ozu and Joanna Hogg William Brown
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