"Most of the leading and well-known scholars of the Italian Renaissance are represented here with their sundry and complementary viewpoints. . . . The presence of so many different critical voices conveys a sense of this volume as a "summa" of current Renaissance criticism."--Giuseppe Mazzotta, Yale University
"Most of the leading and well-known scholars of the Italian Renaissance are represented here with their sundry and complementary viewpoints. . . . The presence of so many different critical voices conveys a sense of this volume as a "summa" of current Renaissance criticism."--Giuseppe Mazzotta, Yale University
Valeria Finucci is Associate Professor of Italian at Duke University. She is the author of The Lady Vanishes: Subjectivity and Representation in Castiglione and Ariosto and the coeditor of Desire in the Renaissance: Psychoanalysis and Literature.
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Acknowledgments Introduction: Ariosto, Tasso, and Storytelling / Valeria Finucci I. Crossing Genres Two Odysseys: Rinaldo's Po Journey and the Poet's Homecoming in Orlando furioso / Ronald L. Martinez The Grafting of Virgilian Epic in Orlando furioso / Daniel Javitch Tasso's Armida and the Victory of Romance / Jo Ann Cavallo II. The Politics of Dissimulation Epic in the Age of Dissimulation: Tasso's Gerusalemme liberata / Sergio Zatti Trickster, Textor, Architect, Thief: Craft and Comedy in Gerusalemme liberata / Walter Stephens "Un cosi valoroso cavalliero": Knightly Honor and Artistic Representation in Orlando furioso, Canto 26 / Katherine Hoffman III. Acting Out Fantasies The Masquerade of Masculinity: Astolfo and Jocondo in Orlando furioso, Canto 28 / Valeria Finucci Romance as Role Model: Early Female Performances of Orlando furioso and Gerusalemme liberata / Eric Nicholson "Dal rogo alle nozze": Tasso's Sofronia as Martyr Manque / Naomi Yavneh Writing beyond the Querelle: Gender and History in Orlando furioso / Constance Jordan Index Contributors
Acknowledgments Introduction: Ariosto, Tasso, and Storytelling / Valeria Finucci I. Crossing Genres Two Odysseys: Rinaldo's Po Journey and the Poet's Homecoming in Orlando furioso / Ronald L. Martinez The Grafting of Virgilian Epic in Orlando furioso / Daniel Javitch Tasso's Armida and the Victory of Romance / Jo Ann Cavallo II. The Politics of Dissimulation Epic in the Age of Dissimulation: Tasso's Gerusalemme liberata / Sergio Zatti Trickster, Textor, Architect, Thief: Craft and Comedy in Gerusalemme liberata / Walter Stephens "Un cosi valoroso cavalliero": Knightly Honor and Artistic Representation in Orlando furioso, Canto 26 / Katherine Hoffman III. Acting Out Fantasies The Masquerade of Masculinity: Astolfo and Jocondo in Orlando furioso, Canto 28 / Valeria Finucci Romance as Role Model: Early Female Performances of Orlando furioso and Gerusalemme liberata / Eric Nicholson "Dal rogo alle nozze": Tasso's Sofronia as Martyr Manque / Naomi Yavneh Writing beyond the Querelle: Gender and History in Orlando furioso / Constance Jordan Index Contributors
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