Andere Kunden interessierten sich auch für
![Myth, Allegory, Faith: The Kirk Edward Long Collection of Mannerist Prints]( "Myth, Allegory, Faith: The Kirk Edward Long Collection of Mannerist Prints")
Myth, Allegory, Faith: The Kirk Edward Long Collection of Mannerist Prints80,99 €![At Home in a Museum]( "At Home in a Museum")
At Home in a Museum45,99 €![Japan Modern: Japanese Prints from the Elise Wessels Collection]( "Japan Modern: Japanese Prints from the Elise Wessels Collection")
Japan Modern: Japanese Prints from the Elise Wessels Collection41,99 €![From Memling to Rubens]( "From Memling to Rubens")
From Memling to Rubens55,99 €![From Bosch's Stable: Hieronymus Bosch and the Adoration of the Magi]( "From Bosch's Stable: Hieronymus Bosch and the Adoration of the Magi")
From Bosch's Stable: Hieronymus Bosch and the Adoration of the Magi19,99 €![A History of Painting in Italy, Umbria, Florence and Siena, From the Second to the Sixteenth Century; 3]( "A History of Painting in Italy, Umbria, Florence and Siena, From the Second to the Sixteenth Century; 3")
A History of Painting in Italy, Umbria, Florence and Siena, From the Second to the Sixteenth Century; 341,99 €![Leonardo and the Artes Mechanicae]( "Leonardo and the Artes Mechanicae")
Leonardo and the Artes Mechanicae65,99 €
A rich compendium of masterworks from the golden age of printmaking In the 1500s, the printed image functioned as a tool for storytelling. In addition to being vehicles for Christian subjects, engravings, etchings and woodcuts introduced many Europeans to the myths and aesthetics of Greco-Roman antiquity. These innovative printmaking technologies ensured the widespread distribution of figural motifs that fueled the development of Mannerism, which became the dominant style of the Late Renaissance. Mannerism privileged theatrical effects, a unique ideal of beauty and a collapsed perspective, characteristics that especially lent themselves to print reproduction. Renaissance Impressions offers a rich survey of this golden age of printmaking through a selection of works from the Kirk Edward Long Collection, one of the world's most extensive private collections of 16th-century prints, with pieces by Michelangelo, Raphael and others.