Remixing European Jazz Culture examines a jazz culture that emerged in the 1990s in cosmopolitan cities like Amsterdam, Rotterdam, Berlin, London, and Oslo-energized by the introduction of studio technologies into the live performance space, which has since developed into internationally-recognized, eclectic, hybrid jazz styles.
Remixing European Jazz Culture examines a jazz culture that emerged in the 1990s in cosmopolitan cities like Amsterdam, Rotterdam, Berlin, London, and Oslo-energized by the introduction of studio technologies into the live performance space, which has since developed into internationally-recognized, eclectic, hybrid jazz styles.
Kristin McGee is Associate Professor in Popular Music in the Arts, Culture, and Media Department at the University of Groningen in the Netherlands.
Inhaltsangabe
Introduction Remixing European Jazz Culture: Historical Precedents, Methodological Approaches, and Theoretical Interventions / Chapter 1 Jazz in Post-War Europe: From Free Collectives to Electronic Jazz / Chapter 2 Blue Note Trips and Wicked Jazz Sounds: Dance Tourists and Musical Migrants in Amsterdam's Crossover Jazz Scene / Chapter 3 DJs and PLOs in Berlin's Electronic Jazz Scene: The Hybrid Production Aesthetics of Jazzanova / Chapter 4 Oslo's Jazzland Records: Finding Home in a New Conception of Jazz / Chapter 5 (Part I) The 'Revival of the Revival' or a Swing Dance Continuum? Mediascapes, Time-Machines, and Intercultural Encounters at the Herräng Dance Camp / Chapter 5 (Part II) Jazz Records, Dance Media, and Survival Technologies within Herräng's Professional Jazz Dance Network / Chapter 6 (Part I) Configuring Crisis and Sampling Swing in Vintage Festivals and Electro Swing / Chapter 6 (Part II) (Re)Generating the Jazz Past in the Vintage Remix of Caravan Palace and Caro Emerald / Epilogue
Introduction Remixing European Jazz Culture: Historical Precedents, Methodological Approaches, and Theoretical Interventions / Chapter 1 Jazz in Post-War Europe: From Free Collectives to Electronic Jazz / Chapter 2 Blue Note Trips and Wicked Jazz Sounds: Dance Tourists and Musical Migrants in Amsterdam's Crossover Jazz Scene / Chapter 3 DJs and PLOs in Berlin's Electronic Jazz Scene: The Hybrid Production Aesthetics of Jazzanova / Chapter 4 Oslo's Jazzland Records: Finding Home in a New Conception of Jazz / Chapter 5 (Part I) The 'Revival of the Revival' or a Swing Dance Continuum? Mediascapes, Time-Machines, and Intercultural Encounters at the Herräng Dance Camp / Chapter 5 (Part II) Jazz Records, Dance Media, and Survival Technologies within Herräng's Professional Jazz Dance Network / Chapter 6 (Part I) Configuring Crisis and Sampling Swing in Vintage Festivals and Electro Swing / Chapter 6 (Part II) (Re)Generating the Jazz Past in the Vintage Remix of Caravan Palace and Caro Emerald / Epilogue
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