Remapping Brazilian Film Culture makes a significant contribution not only to debates about Brazilian national cinema, but more generally about the development of world cinema in the 21st century.
Remapping Brazilian Film Culture makes a significant contribution not only to debates about Brazilian national cinema, but more generally about the development of world cinema in the 21st century.
Stephanie Dennison is Professor of Brazilian Studies and directs the Centre for World Cinemas at the University of Leeds. She has published widely on both world cinema and Brazilian film: she co-authored with Lisa Shaw Popular Cinema in Brazil (2004) and Brazilian National Cinema (2007).
Inhaltsangabe
Introduction Part I Chapter One: Making Films in Twenty-first-century Brazil Chapter Two: Engaging With Audiences at Home and Abroad Chapter Three: Women and Film Culture in Brazil Chapter Four: Brazil's LGBTQ Communities and Film Culture Chapter Five: Afro-Brazilian Filmmaking in the Twenty-first Century Chapter Six: Screening the Indigenous Experience in Brazil Part II Chapter Seven: Cinema and Public Security: The Elite Squad Phenomenon (2007-2010) Chapter Eight: Lúcia Murat's Olhar Estrangeiro (2005) and the representation of Brazil on Foreign Screens Chapter Nine: Hope Springs From Rubbish: Trash (2014) and the Garbage Aesthetic Chapter Ten: A Cordial View from Brazil's North East: Kleber Mendonça Filho's Aquarius (2016) Epilogue
Introduction Part I Chapter One: Making Films in Twenty-first-century Brazil Chapter Two: Engaging With Audiences at Home and Abroad Chapter Three: Women and Film Culture in Brazil Chapter Four: Brazil's LGBTQ Communities and Film Culture Chapter Five: Afro-Brazilian Filmmaking in the Twenty-first Century Chapter Six: Screening the Indigenous Experience in Brazil Part II Chapter Seven: Cinema and Public Security: The Elite Squad Phenomenon (2007-2010) Chapter Eight: Lúcia Murat's Olhar Estrangeiro (2005) and the representation of Brazil on Foreign Screens Chapter Nine: Hope Springs From Rubbish: Trash (2014) and the Garbage Aesthetic Chapter Ten: A Cordial View from Brazil's North East: Kleber Mendonça Filho's Aquarius (2016) Epilogue
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