Leading Golden Age theatre experts examine the ways that comedias have been adapted and reinvented, offering a broad performance history of the genre for scholars and practicioners alike.
Leading Golden Age theatre experts examine the ways that comedias have been adapted and reinvented, offering a broad performance history of the genre for scholars and practicioners alike.
Preface Terms and Concepts: The Adaptation of Classical Texts for the Stage "Los senderos qu se bifurcan": Adaptation, Appropriation, and the Proliferation of Possibilities Interpretative Directing Games for the Golden Age Repertory Re-Make, Re-Mix, Re-Model Refundación Redux: Revisiting the Rewritten Comedia Pepe Estruch and the Performance of Golden Age Drama: International Relationships under Franco and Democratic Theatrical Cultures Thinking Globally, Acting Locally, and Performing Nationalism: Local, National, and Global Remakes of the Comedia Four Decades of the Chamizal Siglo de Oro Drama Festival and the Evolution of Comedia Performance Early Modern Dramaturgas: A Contemporary Performance History Adapting Lope de Vega for the English-Speaking Stage The Dog in the Manger: The Continuum of Transformation El Caballero de Olmedo: Los Barracos's Baroque Gentleman Corpus Lorqui: Transformation and Transubstantiation in Los Barracos de Federico's El caballero de Olmedo The Phoenix of Madrid: Calderón's No hay burlas con el amor Reborn in Bath A Prince in Pittsburgh: "Recasting" a Contemporary Staging of The Constant Prince Directing Marta the Divine: Provocative Choices in the Service of the Story The Dramaturgy of Absence: Minding the Gaps in Tirso de Molina, Ana Caro, and Feliciana Enríquez Translations and Transgressions: Twenty-First Century Questions Regarding Zayas Comedia Actresses, Then and Now: The Case of Ana Caro's Valor, agravio y mujer "Kinesthetic Empathy" and the Comedia Refundición Porous Boundaries: Novela or Comedia? Lope de Vega and Lenfilm: The Dog in the Manger's Cross-Cultural Journey Classical Theater and Puppetry: La Máquina Real Remaking Moreto's El Desdén con el desdén: From Author's Text to Director's Text Lope's Peribáñez on the Lyric Stage A Musical Marta Appendix: Play Titles Cited Works Cited
Preface Terms and Concepts: The Adaptation of Classical Texts for the Stage "Los senderos qu se bifurcan": Adaptation, Appropriation, and the Proliferation of Possibilities Interpretative Directing Games for the Golden Age Repertory Re-Make, Re-Mix, Re-Model Refundación Redux: Revisiting the Rewritten Comedia Pepe Estruch and the Performance of Golden Age Drama: International Relationships under Franco and Democratic Theatrical Cultures Thinking Globally, Acting Locally, and Performing Nationalism: Local, National, and Global Remakes of the Comedia Four Decades of the Chamizal Siglo de Oro Drama Festival and the Evolution of Comedia Performance Early Modern Dramaturgas: A Contemporary Performance History Adapting Lope de Vega for the English-Speaking Stage The Dog in the Manger: The Continuum of Transformation El Caballero de Olmedo: Los Barracos's Baroque Gentleman Corpus Lorqui: Transformation and Transubstantiation in Los Barracos de Federico's El caballero de Olmedo The Phoenix of Madrid: Calderón's No hay burlas con el amor Reborn in Bath A Prince in Pittsburgh: "Recasting" a Contemporary Staging of The Constant Prince Directing Marta the Divine: Provocative Choices in the Service of the Story The Dramaturgy of Absence: Minding the Gaps in Tirso de Molina, Ana Caro, and Feliciana Enríquez Translations and Transgressions: Twenty-First Century Questions Regarding Zayas Comedia Actresses, Then and Now: The Case of Ana Caro's Valor, agravio y mujer "Kinesthetic Empathy" and the Comedia Refundición Porous Boundaries: Novela or Comedia? Lope de Vega and Lenfilm: The Dog in the Manger's Cross-Cultural Journey Classical Theater and Puppetry: La Máquina Real Remaking Moreto's El Desdén con el desdén: From Author's Text to Director's Text Lope's Peribáñez on the Lyric Stage A Musical Marta Appendix: Play Titles Cited Works Cited
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