Relevance and Marginalisation in Scandinavian and European Performing Arts 1770-1860
Questioning Canons
Herausgeber: Selvik, Randi Margrete; Skagen, Annabella; Gladsø, Svein
Relevance and Marginalisation in Scandinavian and European Performing Arts 1770-1860
Questioning Canons
Herausgeber: Selvik, Randi Margrete; Skagen, Annabella; Gladsø, Svein
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Relevance and Marginalisation in Scandinavian and European Performing Arts 1770-1860: Questioning Canons reveals how various cultural processes have influenced what has been included, and what has been marginalised from canons of European music, dance and theatre around the turn of the nineteenth century and the following decades.
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Relevance and Marginalisation in Scandinavian and European Performing Arts 1770-1860: Questioning Canons reveals how various cultural processes have influenced what has been included, and what has been marginalised from canons of European music, dance and theatre around the turn of the nineteenth century and the following decades.
Produktdetails
- Produktdetails
- Verlag: CRC Press
- Seitenzahl: 284
- Erscheinungstermin: 31. Dezember 2020
- Englisch
- Abmessung: 236mm x 155mm x 23mm
- Gewicht: 576g
- ISBN-13: 9780367469436
- ISBN-10: 036746943X
- Artikelnr.: 59990208
- Verlag: CRC Press
- Seitenzahl: 284
- Erscheinungstermin: 31. Dezember 2020
- Englisch
- Abmessung: 236mm x 155mm x 23mm
- Gewicht: 576g
- ISBN-13: 9780367469436
- ISBN-10: 036746943X
- Artikelnr.: 59990208
Randi Margrete Selvik is Professor Emeritus in musicology at the Department of Music, Norwegian University of Science and Technology (NTNU), Trondheim. Her primary research interests include music history from the seventeenth to the early nineteenth centuries, with French baroque opera, Nordic Singspiel, and musical dilettantism in Norway as important focus areas. Svein Gladsø is Professor Emeritus in theatre studies at the Department of Art and Media Studies, Norwegian University of Science and Technology (NTNU), Trondheim. His main research interests include theatre history, dramaturgy, theatre politics, and theatre theory. He has been chair of the Association of Nordic Theatre Scholars and the editor of Nordic Theatre Studies. Annabella Skagen is Senior Curator at Ringve Music Museum in Trondheim, Norway. She holds a PhD in theatre studies from the Norwegian University of Science and Technology (NTNU), Trondheim (2015). Her main research interests include theatre and music history in the eighteenth and nineteenth centuries, centring around performative practices within the contexts of politics, sociability, and identity.
1. The (Pre)History of Canons (Svein Gladsø); 2. Meeting the Masters:
Repertory Choices for Young Ladies (Penelope Cave); 3. Canonisation of the
Danced Minuet Over Centuries (Dóra Kiss); 4. On the Other Side of the
Canon: August von Kotzebue as Popular Playwright and Controversial Public
Persona (Meike Wagner); 5. Traces of Dance and Social Life: A Dance Book
and its Context (Elizabeth Svarstad); 6. Outside Canon: Anonymous Music and
Informal Cultural Activities in Trondheim around 1800 (Eva Hov); 7. A
Private Playlist? Repertory in Norwegian Eighteenth-Century Musical Clocks
(Mats Krouthén); 8. Itinerant Female Performers in the Nordic Sphere
1760-1774: Traceability and Visibility (Anne Margrete Fiskvik); 9. The
Hybrid Child: The Preconditions, Dissemination and Enduring Popularity of
Equestrian Drama (Ellen Karoline Gjervan); 10. Vittorio Alfieri's
tramelogedia Abele: A Physiognomic Reading of a Marginalised Play by a
Canonic Author (Maria-Christina Mur); 11. Oehlenschlager's Freyas Altar: A
Rejected Singspiel Performed (Annabella Skagen); 12. Forgotten Music: Early
Norwegian Composers and Oehlenschläger's Freyas Altar (Randi Margrete
Selvik); 13. Questioning the Canons of Ibsen's Theatre: Re-searching the
Relevance of Ibsen's Theatre Repertory, 1852-1862 (Jon Nygaard)
Repertory Choices for Young Ladies (Penelope Cave); 3. Canonisation of the
Danced Minuet Over Centuries (Dóra Kiss); 4. On the Other Side of the
Canon: August von Kotzebue as Popular Playwright and Controversial Public
Persona (Meike Wagner); 5. Traces of Dance and Social Life: A Dance Book
and its Context (Elizabeth Svarstad); 6. Outside Canon: Anonymous Music and
Informal Cultural Activities in Trondheim around 1800 (Eva Hov); 7. A
Private Playlist? Repertory in Norwegian Eighteenth-Century Musical Clocks
(Mats Krouthén); 8. Itinerant Female Performers in the Nordic Sphere
1760-1774: Traceability and Visibility (Anne Margrete Fiskvik); 9. The
Hybrid Child: The Preconditions, Dissemination and Enduring Popularity of
Equestrian Drama (Ellen Karoline Gjervan); 10. Vittorio Alfieri's
tramelogedia Abele: A Physiognomic Reading of a Marginalised Play by a
Canonic Author (Maria-Christina Mur); 11. Oehlenschlager's Freyas Altar: A
Rejected Singspiel Performed (Annabella Skagen); 12. Forgotten Music: Early
Norwegian Composers and Oehlenschläger's Freyas Altar (Randi Margrete
Selvik); 13. Questioning the Canons of Ibsen's Theatre: Re-searching the
Relevance of Ibsen's Theatre Repertory, 1852-1862 (Jon Nygaard)
1. The (Pre)History of Canons (Svein Gladsø); 2. Meeting the Masters:
Repertory Choices for Young Ladies (Penelope Cave); 3. Canonisation of the
Danced Minuet Over Centuries (Dóra Kiss); 4. On the Other Side of the
Canon: August von Kotzebue as Popular Playwright and Controversial Public
Persona (Meike Wagner); 5. Traces of Dance and Social Life: A Dance Book
and its Context (Elizabeth Svarstad); 6. Outside Canon: Anonymous Music and
Informal Cultural Activities in Trondheim around 1800 (Eva Hov); 7. A
Private Playlist? Repertory in Norwegian Eighteenth-Century Musical Clocks
(Mats Krouthén); 8. Itinerant Female Performers in the Nordic Sphere
1760-1774: Traceability and Visibility (Anne Margrete Fiskvik); 9. The
Hybrid Child: The Preconditions, Dissemination and Enduring Popularity of
Equestrian Drama (Ellen Karoline Gjervan); 10. Vittorio Alfieri's
tramelogedia Abele: A Physiognomic Reading of a Marginalised Play by a
Canonic Author (Maria-Christina Mur); 11. Oehlenschlager's Freyas Altar: A
Rejected Singspiel Performed (Annabella Skagen); 12. Forgotten Music: Early
Norwegian Composers and Oehlenschläger's Freyas Altar (Randi Margrete
Selvik); 13. Questioning the Canons of Ibsen's Theatre: Re-searching the
Relevance of Ibsen's Theatre Repertory, 1852-1862 (Jon Nygaard)
Repertory Choices for Young Ladies (Penelope Cave); 3. Canonisation of the
Danced Minuet Over Centuries (Dóra Kiss); 4. On the Other Side of the
Canon: August von Kotzebue as Popular Playwright and Controversial Public
Persona (Meike Wagner); 5. Traces of Dance and Social Life: A Dance Book
and its Context (Elizabeth Svarstad); 6. Outside Canon: Anonymous Music and
Informal Cultural Activities in Trondheim around 1800 (Eva Hov); 7. A
Private Playlist? Repertory in Norwegian Eighteenth-Century Musical Clocks
(Mats Krouthén); 8. Itinerant Female Performers in the Nordic Sphere
1760-1774: Traceability and Visibility (Anne Margrete Fiskvik); 9. The
Hybrid Child: The Preconditions, Dissemination and Enduring Popularity of
Equestrian Drama (Ellen Karoline Gjervan); 10. Vittorio Alfieri's
tramelogedia Abele: A Physiognomic Reading of a Marginalised Play by a
Canonic Author (Maria-Christina Mur); 11. Oehlenschlager's Freyas Altar: A
Rejected Singspiel Performed (Annabella Skagen); 12. Forgotten Music: Early
Norwegian Composers and Oehlenschläger's Freyas Altar (Randi Margrete
Selvik); 13. Questioning the Canons of Ibsen's Theatre: Re-searching the
Relevance of Ibsen's Theatre Repertory, 1852-1862 (Jon Nygaard)