Reimagining Communication: Experience explores the embodied and experiential aspects of media forms across a variety of contemporary platforms, uses, content variations, audiences, and professional roles.
Reimagining Communication: Experience explores the embodied and experiential aspects of media forms across a variety of contemporary platforms, uses, content variations, audiences, and professional roles.
Michael Filimowicz, PhD, is Senior Lecturer in the School of Interactive Arts and Technology at Simon Fraser University. His research is in the area of computer mediated communication, with a focus on new media poetics applied in the development of new immersive audiovisual displays for simulations, exhibition, games, and telepresence, as well as research creation. Veronika Tzankova is a PhD candidate in the School of Interactive Arts and Technology, Simon Fraser University, and a Communications Instructor at Columbia College-both in Vancouver, Canada. Her background is in human-computer interaction and communication. Sports shape the essence of her research which explores the potential of interactive technologies to enhance bodily awareness in high-risk sports activities.
Inhaltsangabe
Communication, Perception and Innovation: Seeing the world through metaphorically coloured glasses Audio Experience Re-Imagining Embodiment in Communication Reassessing The Importance of Nonverbal Communication In The Age of Social Media Prototyping interaction: designing technology for communication Communicating Affect: Face-to-Face and Online Synchronicity, or Not: on the Temporal Relations between Journalism and Politics Reimagining Memory: Digital Media and a new polyphony of memory Virtual space: Palestinians negotiate a lost homeland in film Mediatization Reimagining audiences in the age of datafication Youth Media Consumption and Privacy Risks in the Digital Era Fan Cultures as Analytic Nexus of Media Audiences and Industries From the Ashes of Ubiquity: Selfie Culture as a New Communication Frontier Receiving the Stranger through the Exposed Heart
Communication, Perception and Innovation: Seeing the world through metaphorically coloured glasses Audio Experience Re-Imagining Embodiment in Communication Reassessing The Importance of Nonverbal Communication In The Age of Social Media Prototyping interaction: designing technology for communication Communicating Affect: Face-to-Face and Online Synchronicity, or Not: on the Temporal Relations between Journalism and Politics Reimagining Memory: Digital Media and a new polyphony of memory Virtual space: Palestinians negotiate a lost homeland in film Mediatization Reimagining audiences in the age of datafication Youth Media Consumption and Privacy Risks in the Digital Era Fan Cultures as Analytic Nexus of Media Audiences and Industries From the Ashes of Ubiquity: Selfie Culture as a New Communication Frontier Receiving the Stranger through the Exposed Heart
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