"Both the Palestinian and Israeli film categories-despite obvious overlaps and relatedness and while keeping in mind the inherent asymmetry of power dynamics-are at the forefront of engaging gender and sexuality"--
"Both the Palestinian and Israeli film categories-despite obvious overlaps and relatedness and while keeping in mind the inherent asymmetry of power dynamics-are at the forefront of engaging gender and sexuality"--
Sa'ed Atshan is Associate Professor of Anthropology at Emory University, USA. He is the author of Queer Palestine and the Empire of Critique (2020) and coauthor of The Moral Triangle: Germans, Israelis, Palestinians (2020). Katharina Galor is the Hirschfeld Senior Lecturer in Judaic Studies at Brown University, USA. She is the coauthor of The Archeology of Jerusalem: From the Origins through the Ottomans (2013) and The Moral Triangle: Germans, Israelis, Palestinians (2020) and the author of Finding Jerusalem: Archaeology between Science and Ideology (2017).
Inhaltsangabe
Introduction: Film and the Gender Lens Katharina Galor (Brown University, USA) and Sa'ed Atshan (Emory University, USA) Part I: Feminist Perspectives 1. The Religious Feminism of Rama Burshtein's Romances Karen E. H. Skinazi (University of Bristol, UK) 2. Silence.No More.: Palestinian Cinema of Transgression Lema M. Salem (Independent Scholar, Germany) 3. Families on the Edge: Interstitial Relations in Recent Palestinian Women's Cinema Anna Ball (Nottingham Trent University, UK) Part II: Approaching Masculinities 4. Disappearances and Remains: Masculinity in the Cinema of Elia Suleiman Kamran Rastegar (Tufts University, USA) 5. "Queer As Can Be": On Masculinity in Jumana Manna's Blessed, Blessed Oblivion Gil Hochberg (Columbia University, USA) Part III: Israeli-Palestinian Intersections 6. Our African Palestine: Intersectional Specters in the House of Zion Greg Burris (American University of Beirut, Lebanon) 7. Write Down, I Am a Woman Shai Ginsburg (Duke University, USA) 8. Identity (Ex)Changes, Gender, and Family Ties: Cinematic Representations of Israeli Jews and Palestinians Yael Zerubavel (Rutgers University, USA) Filmography Figures Index
Introduction: Film and the Gender Lens Katharina Galor (Brown University, USA) and Sa'ed Atshan (Emory University, USA) Part I: Feminist Perspectives 1. The Religious Feminism of Rama Burshtein's Romances Karen E. H. Skinazi (University of Bristol, UK) 2. Silence.No More.: Palestinian Cinema of Transgression Lema M. Salem (Independent Scholar, Germany) 3. Families on the Edge: Interstitial Relations in Recent Palestinian Women's Cinema Anna Ball (Nottingham Trent University, UK) Part II: Approaching Masculinities 4. Disappearances and Remains: Masculinity in the Cinema of Elia Suleiman Kamran Rastegar (Tufts University, USA) 5. "Queer As Can Be": On Masculinity in Jumana Manna's Blessed, Blessed Oblivion Gil Hochberg (Columbia University, USA) Part III: Israeli-Palestinian Intersections 6. Our African Palestine: Intersectional Specters in the House of Zion Greg Burris (American University of Beirut, Lebanon) 7. Write Down, I Am a Woman Shai Ginsburg (Duke University, USA) 8. Identity (Ex)Changes, Gender, and Family Ties: Cinematic Representations of Israeli Jews and Palestinians Yael Zerubavel (Rutgers University, USA) Filmography Figures Index
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