This book collects an integrated series of essays addressing the role of film as social criticism. It investigates either a filmmaker or a group of films that make a substantial contribution to debates in the philosophy of technology and environmental philosophy.
This book collects an integrated series of essays addressing the role of film as social criticism. It investigates either a filmmaker or a group of films that make a substantial contribution to debates in the philosophy of technology and environmental philosophy.
Related Reading from Westview Press Introduction: Film as Social Philosophy Film, Technology, and Built Space Enemies of the State? Electronic Surveillance and the Neutrality of Technology Wim Wenders's Everyday Aesthetics Boyz in the Woods: Los Angeles as Urban Wilderness Film, Group Interests, and Political Identity John Sayles on Class Interest Spike Lee, Chico Mendes, and the Representation of Political Identity
Related Reading from Westview Press Introduction: Film as Social Philosophy Film, Technology, and Built Space Enemies of the State? Electronic Surveillance and the Neutrality of Technology Wim Wenders's Everyday Aesthetics Boyz in the Woods: Los Angeles as Urban Wilderness Film, Group Interests, and Political Identity John Sayles on Class Interest Spike Lee, Chico Mendes, and the Representation of Political Identity
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