Shows how cinema's late 20th and 21st century political narratives of the social and political terrain are symptomatic of America's foundational, triangluated, and unresolved antagonisms: the white demand for expansion; the red (Indian) demand for return
Shows how cinema's late 20th and 21st century political narratives of the social and political terrain are symptomatic of America's foundational, triangluated, and unresolved antagonisms: the white demand for expansion; the red (Indian) demand for return
Frank B. Wilderson III is Associate Professor of African American Studies and Drama at the University of California, Irvine. He is the author of Incognegro: A Memoir of Exile and Apartheid, winner of the Hurston/Wright Legacy Award and the American Book Award. He is also the recipient of a Literature Fellowship from the National Endowment for the Arts.
Inhaltsangabe
Acknowledgments ix Introduction: Unspeakable Ethics 1 I. The Structure of Antagonisms 1. The Ruse of Analogy 35 2. The Narcissistic Slave 54 II. Antwone Fisher and Bush Mama 3. Fishing for Antwone 95 4. Cinematic Unrest: Bush Mama and the Black Liberation Army 117 III. Skins 5. Absurd Mobility 149 6. The Ethics of Sovereignty 162 7. Excess Slack 189 8. The Pleasures of Parity 200 9. "Savage" Negrophobia 221 IV. Monster's Ball 10. A Crisis in the Commons 247 11. Half-White Healing 285 12. Make Me Feel Good 317 Epilogue 237 Notes 343 References 365 Index 375
Acknowledgments ix Introduction: Unspeakable Ethics 1 I. The Structure of Antagonisms 1. The Ruse of Analogy 35 2. The Narcissistic Slave 54 II. Antwone Fisher and Bush Mama 3. Fishing for Antwone 95 4. Cinematic Unrest: Bush Mama and the Black Liberation Army 117 III. Skins 5. Absurd Mobility 149 6. The Ethics of Sovereignty 162 7. Excess Slack 189 8. The Pleasures of Parity 200 9. "Savage" Negrophobia 221 IV. Monster's Ball 10. A Crisis in the Commons 247 11. Half-White Healing 285 12. Make Me Feel Good 317 Epilogue 237 Notes 343 References 365 Index 375
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