Bruce Bartlett has been a recording engineer, audio journalist and microphone engineer for over 30 years. A member of the Audio Engineering Society and Syn Aud Con, Bruce has presented several papers on microphone design. He has written about 1000 articles and 8 books on audio topics. Bruce is a composer as well. He currently runs his own microphone company (www.bartlettaudio.com) and recording studio, including live, on-location recordings. Jenny Bartlett is a technical writer.
Inhaltsangabe
Part 1: Popular Music Recording 1. Gear for Live Recording 2. Recording Techniques from Simple to Complex 3. Before the Session: Planning 4. At the Session: Setup and Recording 5. After the Session: Mixing and Editing 6. A Real-World Example: Recording a Blues Band in a Club 7. Web Audio and Streaming Part 2: Classical Music Recording 8. Microphone Specifications 9. Overview of Stereo Microphone Techniques 10. Stereo Recording Procedures 11. Troubleshooting Stereo Sound 12. Stereo, Surround, and Binaural Microphones and Accessories A. Stereo Imaging Theory B. Specific Free-Field Stereo Microphone Techniques C. Stereo Boundary-Microphone Arrays D. Binaural Techniques E. Surround-Sound Microphone Techniques Glossary
Part 1: Popular Music Recording
1. Gear for Live Recording
2. Recording Techniques from Simple to Complex
3. Before the Session: Planning
4. At the Session: Setup and Recording
5. After the Session: Mixing and Editing
6. A Real-World Example: Recording a Blues Band in a Club
7. Web Audio and Streaming
Part 2: Classical Music Recording
8. Microphone Specifications
9. Overview of Stereo Microphone Techniques
10. Stereo Recording Procedures
11. Troubleshooting Stereo Sound
12. Stereo, Surround, and Binaural Microphones and Accessories
A. Stereo Imaging Theory
B. Specific Free-Field Stereo Microphone Techniques
Part 1: Popular Music Recording 1. Gear for Live Recording 2. Recording Techniques from Simple to Complex 3. Before the Session: Planning 4. At the Session: Setup and Recording 5. After the Session: Mixing and Editing 6. A Real-World Example: Recording a Blues Band in a Club 7. Web Audio and Streaming Part 2: Classical Music Recording 8. Microphone Specifications 9. Overview of Stereo Microphone Techniques 10. Stereo Recording Procedures 11. Troubleshooting Stereo Sound 12. Stereo, Surround, and Binaural Microphones and Accessories A. Stereo Imaging Theory B. Specific Free-Field Stereo Microphone Techniques C. Stereo Boundary-Microphone Arrays D. Binaural Techniques E. Surround-Sound Microphone Techniques Glossary
Part 1: Popular Music Recording
1. Gear for Live Recording
2. Recording Techniques from Simple to Complex
3. Before the Session: Planning
4. At the Session: Setup and Recording
5. After the Session: Mixing and Editing
6. A Real-World Example: Recording a Blues Band in a Club
7. Web Audio and Streaming
Part 2: Classical Music Recording
8. Microphone Specifications
9. Overview of Stereo Microphone Techniques
10. Stereo Recording Procedures
11. Troubleshooting Stereo Sound
12. Stereo, Surround, and Binaural Microphones and Accessories
A. Stereo Imaging Theory
B. Specific Free-Field Stereo Microphone Techniques
C. Stereo Boundary-Microphone Arrays
D. Binaural Techniques
E. Surround-Sound Microphone Techniques
Glossary
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