Susan L FischerReading Performance: Spanish Golden-Age Theatre and Shakespeare on the Modern Stage
Calderón and Semiological Self-Exorcism: El médico de su honra Calderón and
"L'Illusion Cinématographique" Subverted: Antes que todo es mi dama Rojas
and the Interrogation of Textual Author(ity): La Celestina Calderón and the
Ideology of Egalitarianism "Más bien dado": El alcalde de Zalamea Tirso and
"Deadly" Theatre: El vergonzoso en palacio Lope's Carnivalesque Theatre of
Terror: Fuenteovejuna Tirso and the Restaging of Eschatology: El burlador
de Sevilla y convidado de piedra Lope's Aspectuality and Performativity:
El castigo sin venganza Calderón and the "Warrant of Womanhood": Life's a
Dream Calderón and the Contingency of Radical Tragedy: The Painter of
Dishonour Lope and the Problem of an Ending: Peribanez Lope and the
Politics of Truth: The Dog in the Manger Lope and the Masks of Reality:
Pedro et le Commandeur Spanish Appropriations of Shakespeare: El mercader
de Venecia French Appropriations of Shakespeare: Le marchand de Venise
