A close analysis of Farah's novels is used to track the contradictions implicit in the notion of the modern, disengaged self and how transformations of the novel in literary history attempt to negotiate this founding contradiction.
A close analysis of Farah's novels is used to track the contradictions implicit in the notion of the modern, disengaged self and how transformations of the novel in literary history attempt to negotiate this founding contradiction.
Introduction Defining the Individual: Conceptual & Historical Limits From a Crooked Rib & the Bildungsroman: Developing the Self, Developing the Nation The 'Gynocentric' Bildungsroman: Sardines & Gifts Modernism in A Naked Needle & Sweet & Sour Milk: Irony, Morality & the Aesthetic Close Sesame& the Representation of Heteronomy Dissolving the Boundaries of Self & Nation in Maps & Secrets Reconstructing the Subject in the Third Trilogy: Links, Knots & Crossbones Conclusion
Introduction Defining the Individual: Conceptual & Historical Limits From a Crooked Rib & the Bildungsroman: Developing the Self, Developing the Nation The 'Gynocentric' Bildungsroman: Sardines & Gifts Modernism in A Naked Needle & Sweet & Sour Milk: Irony, Morality & the Aesthetic Close Sesame& the Representation of Heteronomy Dissolving the Boundaries of Self & Nation in Maps & Secrets Reconstructing the Subject in the Third Trilogy: Links, Knots & Crossbones Conclusion
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