This book adds a unique eastern perspective to the ever growing corpus of Shakespeare criticism and extends the East-West dialogue in aesthetic theory by identifying parallels and points of deviation and delights both aesthete and critic alike.
This book adds a unique eastern perspective to the ever growing corpus of Shakespeare criticism and extends the East-West dialogue in aesthetic theory by identifying parallels and points of deviation and delights both aesthete and critic alike.
Swapna Koshy is an award winning professor and researcher who engages in communication research focusing on media, marketing and business communication. She also contributes to pedagogical studies and has developed innovative models for assessment. Dr. Koshy has degrees in English Language and Literature, Business Management and Strategic Marketing and graduated at the top of her class in all courses. She has received a Vice Chancellor's citation for Outstanding Contribution to Teaching and Learning and awards for Teaching and Research Excellence, Assessment Design and Leadership. Her industry experience includes stints with film, radio and television.
Inhaltsangabe
Preface 1. The Universality of Indian Aesthetic Theories 2. The Concept of Rasa 3. Hamlet : Jugupsa Intensifying Karüa 4. Othello : Uttamaprak ti transformed by anka to Adhamaprak ti 5. King Lear : Redeemed From Raudra to nta 6. Macbeth : Bhaya Unfolding Karüa 7. Conclusion Bibliography
Preface 1. The Universality of Indian Aesthetic Theories 2. The Concept of Rasa 3. Hamlet : Jugupsa Intensifying Karüa 4. Othello : Uttamaprak ti transformed by anka to Adhamaprak ti 5. King Lear : Redeemed From Raudra to nta 6. Macbeth : Bhaya Unfolding Karüa 7. Conclusion Bibliography
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