Radio Drama brings together the practical skills needed for radio drama, such as directing, writing and sound design, with media history and communication theory.
Radio Drama brings together the practical skills needed for radio drama, such as directing, writing and sound design, with media history and communication theory.
Tim Crook has written, directed and produced a number of international award wining radio plays, series and documentaries. He is the Head of Radio at Goldmsiths College, University of London, and the author of International Radio Journalism.
Inhaltsangabe
List of plates Acknowledgements Part I: PRACTICE MEETS THEORY 1. A New Media History Perspective through Audio Drama 2. Radio Drama as Modernity 3. The Electrophone or Théâtrophone: broadcasting audio drama before the radio 4. The Six Ages of Audio Drama and the Internet Epoch 5. From Sound Houses to the Phonograph Sound Play 6. A Technological Time-line 7. A Culturalist Approach to Internet Audio Drama Part II: SOUND THEORY AND PRACTICE 8. Radio Drama is Not a Blind Medium 9. Sound Design Vocabulary 10. The Cinematic and Musical Inspiration Part III: THE NEW RADIO DRAMA FORM: SKITS AND LIVE IMPROVISATIONS 11. Blurring Fiction with Reality 12. Radio Drama Panics: a cross-cultural phenomenon 13. Moving from Burlesque to Propaganda and News 14. The War of the Worlds Effect: Spoonface Steinberg? 15. Spoonface Steinberg: constructing the Holocaust as a means of identification Part IV: THE THEORY AND PRACTICE OF WRITING AUDIO DRAMA 16. The Writing Agenda for Audio Drama 17. Creating the Character and Effective Use of Characterisation 18. Writing Dialogue Part V: CONSTRUCTING THE RADIO DRAMA/DOCUMENTARY FEATURE 19. The Phantom Distinction 20. Making the Documentary Feature Part VI: THE PRACTICE AND THEORY OF DIRECTING AND PERFORMANCE 21. Directorial Responsibility 22. Managing the Production 23. Experimental Direction and Performance Notes Audio drama bibliography Index
List of plates Acknowledgements Part I: PRACTICE MEETS THEORY 1. A New Media History Perspective through Audio Drama 2. Radio Drama as Modernity 3. The Electrophone or Théâtrophone: broadcasting audio drama before the radio 4. The Six Ages of Audio Drama and the Internet Epoch 5. From Sound Houses to the Phonograph Sound Play 6. A Technological Time-line 7. A Culturalist Approach to Internet Audio Drama Part II: SOUND THEORY AND PRACTICE 8. Radio Drama is Not a Blind Medium 9. Sound Design Vocabulary 10. The Cinematic and Musical Inspiration Part III: THE NEW RADIO DRAMA FORM: SKITS AND LIVE IMPROVISATIONS 11. Blurring Fiction with Reality 12. Radio Drama Panics: a cross-cultural phenomenon 13. Moving from Burlesque to Propaganda and News 14. The War of the Worlds Effect: Spoonface Steinberg? 15. Spoonface Steinberg: constructing the Holocaust as a means of identification Part IV: THE THEORY AND PRACTICE OF WRITING AUDIO DRAMA 16. The Writing Agenda for Audio Drama 17. Creating the Character and Effective Use of Characterisation 18. Writing Dialogue Part V: CONSTRUCTING THE RADIO DRAMA/DOCUMENTARY FEATURE 19. The Phantom Distinction 20. Making the Documentary Feature Part VI: THE PRACTICE AND THEORY OF DIRECTING AND PERFORMANCE 21. Directorial Responsibility 22. Managing the Production 23. Experimental Direction and Performance Notes Audio drama bibliography Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309
