This book presents a phenomenological model for understanding radio drama and uses it to analyse the practice of radio dramaturgy in the UK. It argues that the central role of the body in the act of listening has been neglected and suggests that a more resonant, embodied dramaturgy is needed to meet the demands of current listening cultures.
This book presents a phenomenological model for understanding radio drama and uses it to analyse the practice of radio dramaturgy in the UK. It argues that the central role of the body in the act of listening has been neglected and suggests that a more resonant, embodied dramaturgy is needed to meet the demands of current listening cultures.
Farokh Soltani is Lecturer in Writing for Broadcast Media and Performance at The Royal Central School of Speech and Drama, University of London
Inhaltsangabe
Introduction: the problem of radio drama 1 Radio thinks, radio sees: the theatre of the mind and beyond 2 Radio listens: a phenomenological model of radio drama 3 How does radio listen? The semantic paradigm of British radio dramaturgy and its problems 4 Radio learns to listen: a genealogy of the semantic paradigm of radio dramaturgy 5 Radio listens to itself: resonant radio dramaturgies Conclusion Index
Introduction: the problem of radio drama 1 Radio thinks, radio sees: the theatre of the mind and beyond 2 Radio listens: a phenomenological model of radio drama 3 How does radio listen? The semantic paradigm of British radio dramaturgy and its problems 4 Radio learns to listen: a genealogy of the semantic paradigm of radio dramaturgy 5 Radio listens to itself: resonant radio dramaturgies Conclusion Index
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