Karl Schoonover is Associate Professor and Reader in Film and Television Studies at the University of Warwick and the author of Brutal Vision: The Neorealist Body in Postwar Italian Cinema. Rosalind Galt is Professor of Film Studies at King's College London and the author of Pretty: Film and the Decorative Image.
Karl Schoonover is Associate Professor and Reader in Film and Television Studies at the University of Warwick and the author of Brutal Vision: The Neorealist Body in Postwar Italian Cinema. Rosalind Galt is Professor of Film Studies at King's College London and the author of Pretty: Film and the Decorative Image.
Acknowledgments ix Introduction. Queer, World, Cinema 1 1. Figures in the World: The Geopolitics of theTranscutlural Queer 35 2. A Worldly Affair: Queer Film Festivals and Global Space 79 3. Speaking Otherwise: Allegory, Narrative, and Queer Public Space 119 4. The Queer Popular: Genre and Perverse Economies of Scale 167 5. Registers of Belonging: Queer Worldly Affects 211 6. The Emergence of Queer Cinematic Time 259 Notes 305 Bibliography 339 Index 357
Acknowledgments ix Introduction. Queer, World, Cinema 1 1. Figures in the World: The Geopolitics of theTranscutlural Queer 35 2. A Worldly Affair: Queer Film Festivals and Global Space 79 3. Speaking Otherwise: Allegory, Narrative, and Queer Public Space 119 4. The Queer Popular: Genre and Perverse Economies of Scale 167 5. Registers of Belonging: Queer Worldly Affects 211 6. The Emergence of Queer Cinematic Time 259 Notes 305 Bibliography 339 Index 357
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