Queens in Antiquity and the Present
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This transdisciplinary edited volume explores the concept of queenship in antiquity and the present. Featuring the work of scholars, educators and artists, this book gathers temporally and geographically distant ideas about queenship into a single discursive space. Invigorating the conversation around powerful historical women and their legacies, the contributors discuss 'queenship' as a concept with contemporary urgency, conducive to critical and creative interventions that address the gaps within archives and current cultural and socio-political representation. Although traditional…mehr

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Produktbeschreibung
This transdisciplinary edited volume explores the concept of queenship in antiquity and the present. Featuring the work of scholars, educators and artists, this book gathers temporally and geographically distant ideas about queenship into a single discursive space. Invigorating the conversation around powerful historical women and their legacies, the contributors discuss 'queenship' as a concept with contemporary urgency, conducive to critical and creative interventions that address the gaps within archives and current cultural and socio-political representation. Although traditional narratives present queens of the ancient Mediterranean world as the wives, daughters, and mothers of kings - emphasizing formidable, stand-out examples such as Semiramis and Cleopatra - the ways in which royal women wielded power, whether directly or indirectly, were actually multivariate, highly nuanced and culturally specific. Current scholarship featured in this volume is concerned with teasing out modern, western assumptions that have heavily colored interpretations of gender and power in antiquity. This volume attempts to dismantle the problematic historical narratives and constructions of queenship by presenting different kinds of receptions and speculative articulations of historical queenship, thus forging new paths forward.
Autorenporträt
Patricia Eunji Kim is Assistant Professor at New York University, USA, and Senior Editor and Curator-at-Large at Monument Lab. She is author of The Art of Hellenistic Queenship: Bodies of Power (forthcoming) and co-editor of The National Monument Audit (2021) and Timescales: Thinking Across Ecological Temporalities (2020). Anastasia Tchaplyghine is Guest Curator at the Cincinnati Art Museum, USA, and Registrar for the University of Pennsylvania's Iraq Heritage Stabilization Program at Nimrud and Nineveh, USA. She is co-editor of A Wonder to Behold: Craftsmanship and the Creation of Babylon's Ishtar Gate (2019).