For scholars and students of Shakespeare Studies, Book History and Early Modern Drama, this book overturns how we understand the relationships between history plays on the stage and in print, between history plays and the period's historical culture and politics, and between publication and the construction of genre.
For scholars and students of Shakespeare Studies, Book History and Early Modern Drama, this book overturns how we understand the relationships between history plays on the stage and in print, between history plays and the period's historical culture and politics, and between publication and the construction of genre.
Amy Lidster is a Departmental Lecturer in English Language and Literature at Jesus College, University of Oxford. She is co-editor of Shakespeare at War: A Material History (Cambridge University Press, 2023), and her work has appeared widely in books and journals, including Old St Paul's and Culture (2021), Shakespeare Survey, Shakespeare Studies, and Renaissance Drama.
Inhaltsangabe
1. 'True' Histories: Thomas Creede's looking glasses and the print identity of Queen Elizabeth's men; 2. Authorizing histories: Andrew Wise and Shakespeare's English history plays; 3. United histories: Nathaniel Butter and his newsworthy playbooks; 4. Collecting histories: The Jaggard-Pavier Collection (1619) and Shakespeare's First Folio (1623).
1. 'True' Histories: Thomas Creede's looking glasses and the print identity of Queen Elizabeth's men; 2. Authorizing histories: Andrew Wise and Shakespeare's English history plays; 3. United histories: Nathaniel Butter and his newsworthy playbooks; 4. Collecting histories: The Jaggard-Pavier Collection (1619) and Shakespeare's First Folio (1623).
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