95,99 €
inkl. MwSt.
Versandkostenfrei*
Versandfertig in 6-10 Tagen
payback
48 °P sammeln
  • Broschiertes Buch

The French colony of Saint-Domingue (now Haiti) was home to one of the richest public theatre traditions of the colonial-era Caribbean. This book examines the relationship between public theatre and the enslaved people of Saint-Domingue-something that is generally given short shrift owing to a perceived lack of documentation. Here, a range of materials and methodologies are used to explore pressing questions including the 'mitigated spectatorship' of the enslaved, portrayals of enslaved people in French and Creole repertoire, the contributions of enslaved people to theatre-making, and shifting…mehr

Produktbeschreibung
The French colony of Saint-Domingue (now Haiti) was home to one of the richest public theatre traditions of the colonial-era Caribbean. This book examines the relationship between public theatre and the enslaved people of Saint-Domingue-something that is generally given short shrift owing to a perceived lack of documentation. Here, a range of materials and methodologies are used to explore pressing questions including the 'mitigated spectatorship' of the enslaved, portrayals of enslaved people in French and Creole repertoire, the contributions of enslaved people to theatre-making, and shifting attitudes during the revolutionary era. The book demonstrates that slavery was no mere backdrop to this portion of theatre history but an integral part of its story. It also helps recover the hidden experiences of some of the enslaved individuals who became entangled in that story.
Autorenporträt
Julia Prest is Professor of French and Caribbean Studies at the University of St Andrews, Scotland, UK. She has published widely on early-modern French and Caribbean theatre, opera and dance, and is the creator of the trilingual (English-French-Kreyòl) Theatre in Saint-Domingue, 1764-1791 performance database: 'theatreinsaintdomingue.org'.  She has collaborated with theatre-makers to create new works that bring colonial-era theatre to today's audiences, and her edited collection,  Colonial-Era Caribbean Theatre: Issues in Research, Writing and Methodology  is forthcoming in 2023.