"By capturing the temporal dimensions in Wordsworth's The Prelude, Richardson's Clarissa, Flaubert's "Un Coeur Simple," and Melville's Moby Dick, John Park argues that these literary works of realism - the artistic claim to represent life as it is - do not necessarily depend upon the plotline of the story they tell. The reduced significance placed on plot is counterbalanced by something else: an experience of duration, a sheer extension of time in reading, a sense of time stemming from the unique stylistic innovations in each work"--
"By capturing the temporal dimensions in Wordsworth's The Prelude, Richardson's Clarissa, Flaubert's "Un Coeur Simple," and Melville's Moby Dick, John Park argues that these literary works of realism - the artistic claim to represent life as it is - do not necessarily depend upon the plotline of the story they tell. The reduced significance placed on plot is counterbalanced by something else: an experience of duration, a sheer extension of time in reading, a sense of time stemming from the unique stylistic innovations in each work"--
John Park is Lecturer at University of Washington, USA, and has also taught at Mercer County Community College, Baruch College CUNY, New York University, and Princeton University.
Inhaltsangabe
Acknowledgments 1. The Prose of Romanticism and Realism 2. The Production of Spatialized Time 3. Wordsworth's Still Time 4. Marking "Now" in Richardson's Clarissa: or The History of a Young Lady 5. Time Estranged: Flaubert's "Un Cour Simple" 6. Pronoun "It" and the Labor of Representation in Herman Melville's Moby Dick; Or, The Whale Notes Bibliography Index
Acknowledgments 1. The Prose of Romanticism and Realism 2. The Production of Spatialized Time 3. Wordsworth's Still Time 4. Marking "Now" in Richardson's Clarissa: or The History of a Young Lady 5. Time Estranged: Flaubert's "Un Cour Simple" 6. Pronoun "It" and the Labor of Representation in Herman Melville's Moby Dick; Or, The Whale Notes Bibliography Index
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