""Prophets of the Hood" is the most comprehensive and intellectually original study to date of hip hop as a complex and innovative literary narrative form. Written with a refreshing blend of savvy critical rigor and brave and imaginative narrative verve, Imani Perry's study is an impressive analysis of late-twentieth-century American popular culture."--Daphne A. Brooks, Princeton University
""Prophets of the Hood" is the most comprehensive and intellectually original study to date of hip hop as a complex and innovative literary narrative form. Written with a refreshing blend of savvy critical rigor and brave and imaginative narrative verve, Imani Perry's study is an impressive analysis of late-twentieth-century American popular culture."--Daphne A. Brooks, Princeton University
Acknowledgments > Introduction 1 1. Hip Hop's Mama: Originalism and Identity in the Music 9 2. My Mic Sound Nice: Art, Community, and Consciousness 38 3. Stinging Like Tabasco: Structure and Format in Hip Hop Compositions 58 4. The Glorious Outlaw: Hip Hop Narratives, American Law, and the Court of Public Opinion 102 5. B-Boys, Players, and Preachers: Reading Masculinity 117 6. The Venus Hip Hop and the Pink Ghetto: Negotiating Spaces for Women 155 7. Bling Bling…and Going Pop: Consumerism and Co-optation in Hip Hop 191 Notes 205 Index 223
Acknowledgments > Introduction 1 1. Hip Hop's Mama: Originalism and Identity in the Music 9 2. My Mic Sound Nice: Art, Community, and Consciousness 38 3. Stinging Like Tabasco: Structure and Format in Hip Hop Compositions 58 4. The Glorious Outlaw: Hip Hop Narratives, American Law, and the Court of Public Opinion 102 5. B-Boys, Players, and Preachers: Reading Masculinity 117 6. The Venus Hip Hop and the Pink Ghetto: Negotiating Spaces for Women 155 7. Bling Bling…and Going Pop: Consumerism and Co-optation in Hip Hop 191 Notes 205 Index 223
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