Through his art, D. H. Lawrence exhorted people to recognize their potential for creative change and to energize it toward a more fulfilling mode of existence. Author Paul Poplawski seeks to define Lawrence's concept of creativity and explores its use as a central structuring principle of his ethical, metaphysical, and aesthetic thought. Viewed in relation to his basic religious beliefs, the concept of creativity provides us with an integrated perspective on his art. Poplawski considers biographical elements of Lawrence's religious formation and traces the path of transmittal of these ideas…mehr
Through his art, D. H. Lawrence exhorted people to recognize their potential for creative change and to energize it toward a more fulfilling mode of existence. Author Paul Poplawski seeks to define Lawrence's concept of creativity and explores its use as a central structuring principle of his ethical, metaphysical, and aesthetic thought. Viewed in relation to his basic religious beliefs, the concept of creativity provides us with an integrated perspective on his art. Poplawski considers biographical elements of Lawrence's religious formation and traces the path of transmittal of these ideas into the early fiction and particularly The Rainbow. He then continues to demonstrate how religious views and aesthetic theory coalesce in the later works. He also engages critical dialogue by investigating counter-creative trends of elitism and sexism in the corpus.
PAUL POPLAWSKI is Director of Studies at Vaughan College, University of Leicester. He has taught widely in 19th and 20th century literature and specializes in D. H. Lawrence, Modernism, and Jane Austen. He recently published a revised 3rd edition of Warren Robets' A Bibliography of D. H. Lawrence (2001). He is also the author of D. H. Lawrence: A Reference Companion (Greenwood, 1996), and A Jane Austen Encyclopedia (Greenwood, 1998), and editor of Writing the Body in D. H. Lawrence (Greenwood, 2001).
Inhaltsangabe
Preface Introduction The Concept of Creativity: A Preliminary View The Creative Unconscious: Self, Society and Freedom The Art of Creativity Creative Evolution: The Early Formation of Lawrence's Religious Thought Nature, Art and Belief in the Early Novels The Metaphysics of Creativity and The Rainbow The Rainbow II: Rhythms of the Unknown God Lawrence Against Himself: Elitism and the Mystification of Sex Consolidation: 1915-1930 Conclusion Notes Bibliography Index
Preface Introduction The Concept of Creativity: A Preliminary View The Creative Unconscious: Self, Society and Freedom The Art of Creativity Creative Evolution: The Early Formation of Lawrence's Religious Thought Nature, Art and Belief in the Early Novels The Metaphysics of Creativity and The Rainbow The Rainbow II: Rhythms of the Unknown God Lawrence Against Himself: Elitism and the Mystification of Sex Consolidation: 1915-1930 Conclusion Notes Bibliography Index
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