Projecting the Nation: History and Ideology on the Israeli Screen is a wide-ranging history of over seven decades of Israeli cinema. By analyzing Israeli films which address such issues as the Arab-Israeli conflict, the Ashkenazi-Mizrahi divide, the kibbutz, the rise of religion in Israel, the book explores the way cinema has represented and shaped our understanding of the Israeli history as it evolved from a collectivist society to a society where individualism and adherence to local identities is the dominant ideology.
Projecting the Nation: History and Ideology on the Israeli Screen is a wide-ranging history of over seven decades of Israeli cinema. By analyzing Israeli films which address such issues as the Arab-Israeli conflict, the Ashkenazi-Mizrahi divide, the kibbutz, the rise of religion in Israel, the book explores the way cinema has represented and shaped our understanding of the Israeli history as it evolved from a collectivist society to a society where individualism and adherence to local identities is the dominant ideology.
Eran Kaplan is the Goldman Professor in Israel Studies at San Francisco State University. He is the author of Beyond Post Zionism, The Jewish Radical Right: Revisionist Zionism and Its Ideological Legacy, and with Derek Penslar of The Origins of Israel, 1882-1948: A Documentary History.
Inhaltsangabe
Contents Introduction 1 Pioneers, Fighters and Immigrants 2 Looking Inward 3 Present Absentees 4 The Post-Zionist Condition 5 The Post-Political Turn in Israeli Cinema 6 Eros on the Israeli Screen 7 In the Image of the Divine Epilogue Big Screens, Small Screens Acknowledgments
Contents Introduction 1 Pioneers, Fighters and Immigrants 2 Looking Inward 3 Present Absentees 4 The Post-Zionist Condition 5 The Post-Political Turn in Israeli Cinema 6 Eros on the Israeli Screen 7 In the Image of the Divine Epilogue Big Screens, Small Screens Acknowledgments
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