Projecting a Camera - Branigan, Edward
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Through an engagement with the work of Ludwig Wittgenstein and classical and contemporary theorists of film, this book re-assesses a century of film theory and the language and ways through which our conceptions of film have been made. It explores a different way of conceiving film as a language.
With its thorough grounding in the philosophy of spectatorship and narrative, Projecting aCamera takes the study of film to a new level. With the care and precision that he brought to NarrativeComprehension and Film, Edward Branigan maps the ways in which we must understand the role of the camera,…mehr

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Produktbeschreibung
Through an engagement with the work of Ludwig Wittgenstein and classical and contemporary theorists of film, this book re-assesses a century of film theory and the language and ways through which our conceptions of film have been made. It explores a different way of conceiving film as a language.
With its thorough grounding in the philosophy of spectatorship and narrative, Projecting aCamera takes the study of film to a new level. With the care and precision that he brought to NarrativeComprehension and Film, Edward Branigan maps the ways in which we must understand the role of the camera, the meaning of the frame, the role of the spectator, and other key components of film-viewing. By analyzing how we think, discuss, and marvel about the films we see, Projecting a Camera, offers insights rich in implications for our understanding of film and film studies.
Autorenporträt
Edward Branigan is Director of Graduate Studies and a Professor of Film Studies at the University of California, Santa Barbara, and is an attorney. He is the author of Point of View in the Cinema and Narrative Comprehension and Film, which was awarded the Katherine Singer Kovacs prize in Cinema Studies.