This title was first published in 2000: The author demonstrates that women artists of the period were independent producers, teachers and travellers, alert to changes in taste and fashion. They derived great pleasure from their work, and enjoyed the benefits of women working together.
This title was first published in 2000: The author demonstrates that women artists of the period were independent producers, teachers and travellers, alert to changes in taste and fashion. They derived great pleasure from their work, and enjoyed the benefits of women working together.
Introduction. 1. Sexual Economics and the Gendered Spaces of Art Education. 2. Guild and Venue: Women Artists, Exhibition Spaces, and 'Separate' Societies. 3. An Earnest Band of Workers in the Field of Art. 4. Locality and Pleasure in Landscape: A Study of Three Nineteenth-Century Scottish Watercolourists. 5. Friends and Colleagues. 6. Energy to Fearlessness: The Artist as Exotic. 7. Afterthoughts.
Introduction. 1. Sexual Economics and the Gendered Spaces of Art Education. 2. Guild and Venue: Women Artists, Exhibition Spaces, and 'Separate' Societies. 3. An Earnest Band of Workers in the Field of Art. 4. Locality and Pleasure in Landscape: A Study of Three Nineteenth-Century Scottish Watercolourists. 5. Friends and Colleagues. 6. Energy to Fearlessness: The Artist as Exotic. 7. Afterthoughts.
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