This study interprets eighteenth-century satire's famous typographical obsession as a fraught response to the Enlightenment's "ocularcentric" epistemological paradigms, as well as to a print-cultural moment identified by book-historians as increasingly "visual" - a moment at which widespread attention was being paid, for the first time, to forma
This study interprets eighteenth-century satire's famous typographical obsession as a fraught response to the Enlightenment's "ocularcentric" epistemological paradigms, as well as to a print-cultural moment identified by book-historians as increasingly "visual" - a moment at which widespread attention was being paid, for the first time, to forma
Katherine Mannheimer is an assistant Professor of English at the University of Rochester, USA.
Inhaltsangabe
Introduction 1: From Speech-Act to Spectacle: Changing Modes of Satire at the Turn of the Eighteenth Century 2: Swift's Tableaux, Montagu's Table-Turning: Verse, Visuality, and Gender 3: Augustan Satire's Textual Bodies: The Quest for an Ethics of the Eye 4: Pedagogies of Paranoia, Spaces of Adjudication: Swift and Pope's Typographical Training-Grounds of the Gaze 5: "That Spirit He Pretends to Imitate": Pope, Montagu, and the Letter and the Spirit of the Law 6: Crossing Stage and Page: Pope's Four-Book Dunciad and the Critique of "Absorptive" Textuality Coda: Theatricalized Print and the Reciprocal Gaze: Gender Politics in Pope's Printed Playhouse
Introduction 1: From Speech-Act to Spectacle: Changing Modes of Satire at the Turn of the Eighteenth Century 2: Swift's Tableaux, Montagu's Table-Turning: Verse, Visuality, and Gender 3: Augustan Satire's Textual Bodies: The Quest for an Ethics of the Eye 4: Pedagogies of Paranoia, Spaces of Adjudication: Swift and Pope's Typographical Training-Grounds of the Gaze 5: "That Spirit He Pretends to Imitate": Pope, Montagu, and the Letter and the Spirit of the Law 6: Crossing Stage and Page: Pope's Four-Book Dunciad and the Critique of "Absorptive" Textuality Coda: Theatricalized Print and the Reciprocal Gaze: Gender Politics in Pope's Printed Playhouse
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