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One of the most penetrating and sympathetic explorations ever undertaken by one writer into the mind of another, Prancing Novelist is far more than a simple tribute or work of research. In these pages--by turns instructive, mischievous, and even gossipy--Brigid Brophy seeks nothing less than a vindication of the eternal liveliness of fiction itself against the persistent rumors that it is dying or dead. Though serious in intent, Prancing Novelist is not only a monument to Firbank, but is also a delightful showcase for Brophy's own uproarious prose, not to mention her genius for telling good stories.…mehr

Produktbeschreibung
One of the most penetrating and sympathetic explorations ever undertaken by one writer into the mind of another, Prancing Novelist is far more than a simple tribute or work of research. In these pages--by turns instructive, mischievous, and even gossipy--Brigid Brophy seeks nothing less than a vindication of the eternal liveliness of fiction itself against the persistent rumors that it is dying or dead. Though serious in intent, Prancing Novelist is not only a monument to Firbank, but is also a delightful showcase for Brophy's own uproarious prose, not to mention her genius for telling good stories.
Autorenporträt
Brigid Brophy (1929-1995) was an acclaimed novelist, essayist, critic and campaigner. Her fiction included Hackenfeller's Ape (1953), The King of a Rainy Country (1956), Flesh (1962), The Finishing Touch (1963), The Snow Ball (1964), In Transit (1969), The Adventures of God in His Search for the Black Girl (1971) and Palace without Chairs (1978). Her non-fiction included Black Ship to Hell (1962), Mozart the Dramatist (1964), two books about Aubrey Beardsley - Black and White (1968) and Beardsley and His World (1976), and Prancing Novelist: In Praise Of Ronald Firbank (1973). In 1954 she married the art historian Michael Levey (later the director of the British National Gallery from 1973-1987, knighted in 1981). The couple had one daughter, Kate. Brophy was a noted campaigner on several platforms, in particular her fight to establish an authors' Public Lending Right and her vice-presidency of the National Anti-Vivisection Society.