With in-depth analyses of the major trends and films, this book represents a comprehensive assessment of the historical film in postwall Germany. Challenging previous paradigms, it takes account of a postwall cinema of retro-flection as a complex engagement with various historiographical forms and, above all, with film history itself.
With in-depth analyses of the major trends and films, this book represents a comprehensive assessment of the historical film in postwall Germany. Challenging previous paradigms, it takes account of a postwall cinema of retro-flection as a complex engagement with various historiographical forms and, above all, with film history itself.
Mattias Frey is Senior Lecturer in Film Studies at the University of Kent. His research revolves around German and Austrian cinema, historiography, matters of media reception and consumption, the history of classical and contemporary film theory, movie criticism, and cinephilia. His work appears in Cinema Journal, Screen, New German Critique, Quarterly Review of Film & Video, Framework, Film International, and Senses of Cinema, as well as numerous anthologies and reference works. He is the co-editor of Cine-Ethics: Ethical Dimensions of Film Theory, Practice, and Spectatorship.
Inhaltsangabe
List of Illustrations Acknowledgements Introduction Chapter 1. Rebirth of a Nation: Das Wunder von Bern, the 1950s, and the Reactions to the New German Cinema Chapter 2. Pop Retro-vision: Baader, Der Baader Meinhof Komplex, and the RAF Film Chapter 3. The Ambivalent View: 23, Historical Paranoia, and the 1980s Chapter 4. "Ostalgie," Historical Ownership, and Material Authenticity: Good Bye, Lenin! and Das Leben der Anderen Chapter 5. Unification, Spatial Anxiety, and the Recuperation of Material Culture: Die Unberührbare Chapter 6. The Future of the German Past Bibliography Index
List of Illustrations Acknowledgements Introduction Chapter 1. Rebirth of a Nation: Das Wunder von Bern, the 1950s, and the Reactions to the New German Cinema Chapter 2. Pop Retro-vision: Baader, Der Baader Meinhof Komplex, and the RAF Film Chapter 3. The Ambivalent View: 23, Historical Paranoia, and the 1980s Chapter 4. "Ostalgie," Historical Ownership, and Material Authenticity: Good Bye, Lenin! and Das Leben der Anderen Chapter 5. Unification, Spatial Anxiety, and the Recuperation of Material Culture: Die Unberührbare Chapter 6. The Future of the German Past Bibliography Index
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