Postmodernity's Musical Pasts covers topics from classical to popular and neo-traditional musics to concerns of the disciplines of musicology. These provide insights how the progression of time and history can be conceptually understood after 1945.
Postmodernity's Musical Pasts covers topics from classical to popular and neo-traditional musics to concerns of the disciplines of musicology. These provide insights how the progression of time and history can be conceptually understood after 1945.
Introduction Tina Fruehauf Music and Postmodern Time Lawrence Kramer 'Aesthetic Indigestion': Alfred Schnittke, Anachronism, and the Contemporary Cadenza's Musical Pasts Joshua S. Walden John Adams's Post stylistic Approach to the Past: A Response to the Uncertain Future of a Globalized World? Max Noubel Germany Post Modernism and the Sphericity of Time Laurenz Lütteken Visions of the 'End of History', 1968, and the Emergence of 'Postmoderne Musik' in West Germany Beate Kutschke (Neo )Schenkerism and the Past: Recovering a Plurality of Critical Contexts John Koslovsky From Bach to Neruda: Historicity and Heterogenous Temporality in the Chilean Cantata (1941 69) Daniella Fugellie Time Re Covered: Double Temporality in Olga Neuwirth's Hommage à Klause Nomi Georg Burgstaller The Past is Home: Eduardo Martínez Torner in Postwar London An Exile's Nostalgia for Spanish Musicology Susana Asensio Llamas Historical Nostalgia, Nature, and the Future in Three Iconic Albums from 1971: Aqualung, Who's Next, and Led Zeppelin IV Caitlin Carlos Indie Neofado's Temporality: A Tale of Two Nostalgia's Michael Arnold
Introduction Tina Fruehauf Music and Postmodern Time Lawrence Kramer 'Aesthetic Indigestion': Alfred Schnittke, Anachronism, and the Contemporary Cadenza's Musical Pasts Joshua S. Walden John Adams's Post stylistic Approach to the Past: A Response to the Uncertain Future of a Globalized World? Max Noubel Germany Post Modernism and the Sphericity of Time Laurenz Lütteken Visions of the 'End of History', 1968, and the Emergence of 'Postmoderne Musik' in West Germany Beate Kutschke (Neo )Schenkerism and the Past: Recovering a Plurality of Critical Contexts John Koslovsky From Bach to Neruda: Historicity and Heterogenous Temporality in the Chilean Cantata (1941 69) Daniella Fugellie Time Re Covered: Double Temporality in Olga Neuwirth's Hommage à Klause Nomi Georg Burgstaller The Past is Home: Eduardo Martínez Torner in Postwar London An Exile's Nostalgia for Spanish Musicology Susana Asensio Llamas Historical Nostalgia, Nature, and the Future in Three Iconic Albums from 1971: Aqualung, Who's Next, and Led Zeppelin IV Caitlin Carlos Indie Neofado's Temporality: A Tale of Two Nostalgia's Michael Arnold
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