Building on the work of Sylvia Wynter, Alexander Weheliye, Lester Spence, LH Stallings, and a broad swath of queer and critical race theory, Posthuman Rap listens for the ways contemporary rap maps an existence outside the traditional boundaries of what it means to be human.
Building on the work of Sylvia Wynter, Alexander Weheliye, Lester Spence, LH Stallings, and a broad swath of queer and critical race theory, Posthuman Rap listens for the ways contemporary rap maps an existence outside the traditional boundaries of what it means to be human.
Justin Adams Burton is Assistant Professor of Music at Rider University, where he works in conjunction with the Popular Music Studies program. Justin's scholarship revolves around matters of race, class, and gender as they intersect with hip hop, pop, and dance genres. Justin is also co-editor (with Jason Lee Oakes) of the Oxford Handbook of Hip Hop Music Studies.
Inhaltsangabe
* Contents * Introduction Pre-Echo: Monsters in the Mix * Chapter 1: Posthuman: "Completely Outside Our Present Conception of What it is to be Human" * Chapter 2: "Cheap and Easy Radicalism": The Legible Politics of Kendrick Lamar * Chapter 3: Sonic Blackness and the Illegibility of Trap Irony * Chapter 4: Party Politics: Rae Sremmurd's Club as Posthuman Vestibule * Epilogue: Posthuman Sub-Bass * Bibliography * Index
* Contents * Introduction Pre-Echo: Monsters in the Mix * Chapter 1: Posthuman: "Completely Outside Our Present Conception of What it is to be Human" * Chapter 2: "Cheap and Easy Radicalism": The Legible Politics of Kendrick Lamar * Chapter 3: Sonic Blackness and the Illegibility of Trap Irony * Chapter 4: Party Politics: Rae Sremmurd's Club as Posthuman Vestibule * Epilogue: Posthuman Sub-Bass * Bibliography * Index
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