This book is the first major study of French Caribbean literature in light of postcoloniality. Through readings of Aime Cesaire, Edouard Glissant, Maryse Conde, Baudelaire, Freud, and others, Jeannie Suk illuminates how debates about negritude, antillanite, and creolite contribute to paradoxes at the heart of postcolonial modes.
This book is the first major study of French Caribbean literature in light of postcoloniality. Through readings of Aime Cesaire, Edouard Glissant, Maryse Conde, Baudelaire, Freud, and others, Jeannie Suk illuminates how debates about negritude, antillanite, and creolite contribute to paradoxes at the heart of postcolonial modes.
Jeannie Suk is J.D. candidate (expected 2002), Harvard Law School, Harvard University
Inhaltsangabe
Introduction Crossings, Returns: Césaire's Cahier d'un retour au pays natal Glissant, Détour, and History Archetypal Returns: Hérémakhonon and Une Saison à Rihata Allegory, Sorcery, and Historical Rewriting: Moi, Tituba, Sorcière...Noire de Salem Representing Antillean Crossings: Traversée de la Mangrove Epilogue Bibliography Index
Introduction Crossings, Returns: Césaire's Cahier d'un retour au pays natal Glissant, Détour, and History Archetypal Returns: Hérémakhonon and Une Saison à Rihata Allegory, Sorcery, and Historical Rewriting: Moi, Tituba, Sorcière...Noire de Salem Representing Antillean Crossings: Traversée de la Mangrove Epilogue Bibliography Index
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