Post-Production and the Invisible Revolution of Filmmaking studies the discourses surrounding post-production, as well as the aesthetic effects of its introduction during the 1920s and 1930s, by exploring the philosophies and issues faced by practitioners during this transitional, transformative period.
Post-Production and the Invisible Revolution of Filmmaking studies the discourses surrounding post-production, as well as the aesthetic effects of its introduction during the 1920s and 1930s, by exploring the philosophies and issues faced by practitioners during this transitional, transformative period.
George Larkin is the Chair and an Associate Professor of Filmmaking at Woodbury University in Burbank, CA. He has a B.A. from Yale University, an M.A. in Shakespearean Studies from the University of Birmingham (England), and a Ph.D. in Film and Media Studies from the University of California, Berkeley.
Inhaltsangabe
Introduction: Post-Production: An Invisible Art Chapter One: The Invisible Revolution: the Art of Post-Production Chapter Two: The Post-Production Process of Silent Film Chapter Three: A Sense of Sound in the "Silent" Era Chapter Four: Transition to Post-Production: The Rapid Rise and Fall of the Monitor Ma Chapter Five: The Art and Science of Film Engineers Chapter Six: Coverage and Post-Production Chapter Seven: Post-Production: Past, Present, and Future Coda: The Perpetual Revolution and Evolution
Introduction: Post-Production: An Invisible Art Chapter One: The Invisible Revolution: the Art of Post-Production Chapter Two: The Post-Production Process of Silent Film Chapter Three: A Sense of Sound in the "Silent" Era Chapter Four: Transition to Post-Production: The Rapid Rise and Fall of the Monitor Ma Chapter Five: The Art and Science of Film Engineers Chapter Six: Coverage and Post-Production Chapter Seven: Post-Production: Past, Present, and Future Coda: The Perpetual Revolution and Evolution
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