This book explains the theory and practice of portrait therapy, an original art therapy intervention. It reveals how the intervention can be used to address a 'disrupted' self-identity, which is common in people with life-threatening or chronic illness and is characterised by statements like 'I'm not the person I used to be'.
This book explains the theory and practice of portrait therapy, an original art therapy intervention. It reveals how the intervention can be used to address a 'disrupted' self-identity, which is common in people with life-threatening or chronic illness and is characterised by statements like 'I'm not the person I used to be'.
Dr Susan Carr is an art therapist, artist, writer and researcher, with 12 years' experience working in palliative care. She is an Associate Editor for the International Journal of Art Therapy and is based in Swindon, UK.
Inhaltsangabe
Foreword. Acknowledgements. Part I. Focusing the Gaze. 1. Setting the Scene: Introducing Portraiture as a 'Third Hand' Intervention. 2. Priming the Canvas: A Phenomenological Approach to Depicting Subjectivity. 3. Selecting the Medium: Portraiture as a Therapeutic Tool. Part II. Collaborative Case-Studies. 4. Portrait Therapy as a Collaborative Intervention: Paint Me This Way! 5. Increasing the Patients' Creative Capacity to Adapt to Illness. 6. Mirroring and Attunement through Portraiture: Intersubjective and Symbolic Ways of Knowing, Being and Relating. 7. Making Special, Making Meaning: Increasing the Lived Experience of Homelike-Being-in-the-World and Ontological Security. Part III. Portrait Therapy Protocol and Evaluation Methods. 8. A Therapist's Manual: The Three Phases of Portrait Therapy. 9. Making Connections: Evaluating Portrait Therapy. 10. Afterword: Drawing Conclusions. Appendix 1. Images used in the Portrait Reference Album (PRA). 2. Semi-structured end of project interview (EPI) questions used to evaluate portrait therapy. References.
Foreword. Acknowledgements. Part I. Focusing the Gaze. 1. Setting the Scene: Introducing Portraiture as a 'Third Hand' Intervention. 2. Priming the Canvas: A Phenomenological Approach to Depicting Subjectivity. 3. Selecting the Medium: Portraiture as a Therapeutic Tool. Part II. Collaborative Case-Studies. 4. Portrait Therapy as a Collaborative Intervention: Paint Me This Way! 5. Increasing the Patients' Creative Capacity to Adapt to Illness. 6. Mirroring and Attunement through Portraiture: Intersubjective and Symbolic Ways of Knowing, Being and Relating. 7. Making Special, Making Meaning: Increasing the Lived Experience of Homelike-Being-in-the-World and Ontological Security. Part III. Portrait Therapy Protocol and Evaluation Methods. 8. A Therapist's Manual: The Three Phases of Portrait Therapy. 9. Making Connections: Evaluating Portrait Therapy. 10. Afterword: Drawing Conclusions. Appendix 1. Images used in the Portrait Reference Album (PRA). 2. Semi-structured end of project interview (EPI) questions used to evaluate portrait therapy. References.
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