Andere Kunden interessierten sich auch für
![Pop with Gods, Shakespeare, and AI]( "Pop with Gods, Shakespeare, and AI")
Pop with Gods, Shakespeare, and AI74,99 €![Populism and (Pop) Music]( "Populism and (Pop) Music")
Populism and (Pop) Music88,99 €![Populism and (Pop) Music]( "Populism and (Pop) Music")
Populism and (Pop) Music88,99 €![Picturing Ecology]( "Picturing Ecology")
Picturing Ecology95,99 €![Picturing Ecology]( "Picturing Ecology")
Picturing Ecology63,99 €![Chinese Fans of Japanese and Korean Pop Culture]( "Chinese Fans of Japanese and Korean Pop Culture")
Chinese Fans of Japanese and Korean Pop Culture179,99 €![Screen Media and the Construction of Nostalgia in Post-Socialist China]( "Screen Media and the Construction of Nostalgia in Post-Socialist China")
Screen Media and the Construction of Nostalgia in Post-Socialist China88,99 €
Applying the theories of Popular Culture, Visual Culture, Performance Studies, (Post)Feminism, and Film Studies, this interdisciplinary and well-crafted book leads you to the fascinating and intriguing world of popular film, (musical) theatre, and TV drama. It explores the classical and contemporary cases of the literature works, both Eastern and Western, adapted, represented and transformed into the interesting artistic medium in films, performances, TV dramas, musicals, and AI robot theatre/films.
'Iris Tuan's book is wide ranging in scope and diversity, examining theatre, music, film and television productions from both Western and Asian countries. Tuan also surveys an extensive range of critical and theoretical perspectives, especially from performance studies and popular cultural studies, to offer context for her descriptions of the many different works. Some of her examples are well-known (Shakespeare's Romeo & Juliet, Disney's The LionKing) while others little known outside their place of origin (such as the Hakka Theatre of Taiwan) -- all are approached by the author with enthusiasm.'
-Susan Bennett, Professor of English, University of Calgary, Canada
'Tuan takes us through multiple examples of contemporary popular performance in theatre/film/TV ranging from "high" art sources (Shakespeare or Journey to the West in films, Hirata's robotic theatre experiments) to "low" (Taiwanese TV soap operas Hakka Theatre: Roseki and Story of Yangxi Palace, Korean film Along with the Gods: The Two Worlds). The reader moves at a speed-dating pace through contemporary culture production and interpretive theories, encountering significant works, controversies (i. e., yellow face), and conundrums selected from China, Korea, Japan and the U. S. and filtered through a Taiwanese female gaze.'
-Kathy Foley, Professor of Theatre Arts, University of California Santa Cruz, USA
'Iris Tuan's book is wide ranging in scope and diversity, examining theatre, music, film and television productions from both Western and Asian countries. Tuan also surveys an extensive range of critical and theoretical perspectives, especially from performance studies and popular cultural studies, to offer context for her descriptions of the many different works. Some of her examples are well-known (Shakespeare's Romeo & Juliet, Disney's The LionKing) while others little known outside their place of origin (such as the Hakka Theatre of Taiwan) -- all are approached by the author with enthusiasm.'
-Susan Bennett, Professor of English, University of Calgary, Canada
'Tuan takes us through multiple examples of contemporary popular performance in theatre/film/TV ranging from "high" art sources (Shakespeare or Journey to the West in films, Hirata's robotic theatre experiments) to "low" (Taiwanese TV soap operas Hakka Theatre: Roseki and Story of Yangxi Palace, Korean film Along with the Gods: The Two Worlds). The reader moves at a speed-dating pace through contemporary culture production and interpretive theories, encountering significant works, controversies (i. e., yellow face), and conundrums selected from China, Korea, Japan and the U. S. and filtered through a Taiwanese female gaze.'
-Kathy Foley, Professor of Theatre Arts, University of California Santa Cruz, USA
"Pop with Gods, Shakespeare, and AI is a very ambitious book. Its great virtue lies in its bringing together performance works from a variety of media - the author herself lists Western Literature, Chinese Literature, East Asian Studies, Shakespearean Research, Broadway Musicals, Theater Performance, Film Studies and theories of popular culture. ... The 64 color photos are uniformly excellent and make me wonder why I don't go to the theater more often." (Bradley Winterton, taipeitimes.com, April 21, 2022)