Polycultural Synthesis in the Music of Chou Wen-Chung
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The displacement of Chou Wen-chung from his native China in 1948 forced him into Western-European culture. Ultimately finding his vocation as a composer, he familiarized himself with classical and contemporary techniques but interpreted these through his traditionally-oriented Chinese cultural perspective. The result has been the composition of

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Produktbeschreibung
The displacement of Chou Wen-chung from his native China in 1948 forced him into Western-European culture. Ultimately finding his vocation as a composer, he familiarized himself with classical and contemporary techniques but interpreted these through his traditionally-oriented Chinese cultural perspective. The result has been the composition of
Autorenporträt
Mary I. Arlin, a music theorist and performer, is Professor Emerita of Music Theory at Ithaca College. She has published articles on the history of music theory and transcribed and edited Giacomo Zucchi's Three Serenades, op. 3 for viola and piano (New York: International Music, 1988). Mark A. Radice, a musicologist, composer, and performer, is professor at Ithaca College. His most recent books are: Karel Husa: A Composer's Life in Essays and Documents (2002), Concert Music of the Twentieth Century: Its Personalities, Institutions, and Techniques (2003), and Chamber Music: An Essential History (2012).