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This edited volume examines the recent transnational emergence of the public memory of slavery, shedding light on the work of memory produced by groups of individuals who are descendants of slaves. The chapters in this book explore how the memory of the enslaved and slavers is shaped and displayed in the public space not only in the former slave societies but also in the regions that provided captives to the former American colonies and European metropoles. Through the analysis of exhibitions, museums, monuments, accounts, and public performances, the volume makes sense of the political stakes…mehr

Produktbeschreibung
This edited volume examines the recent transnational emergence of the public memory of slavery, shedding light on the work of memory produced by groups of individuals who are descendants of slaves. The chapters in this book explore how the memory of the enslaved and slavers is shaped and displayed in the public space not only in the former slave societies but also in the regions that provided captives to the former American colonies and European metropoles. Through the analysis of exhibitions, museums, monuments, accounts, and public performances, the volume makes sense of the political stakes involved in the phenomenon of memorialization of slavery and the slave trade in the public sphere.
Autorenporträt
Ana Lucia Araujo is Associate Professor in the Department of History at Howard University, USA. She is author of Romantisme tropical: l'aventure illustrée d'un peintre français au Brésil (2008) and Public Memory of Slavery: Victims and Perpetrators in the South Atlantic Laval (2010). She has also edited Living History: Encountering the Memory of the Heirs of Slavery (2009) and Paths of the Atlantic Slave Trade: Interactions, Identities, and Images (2011).