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It is of technical writing in terms of form, aesthetics, poetics, as well as content that this essay attempts to trace the breadcrumb trail in Anglophone African and Nigerian literature in particular, notably with Chinua Achebe's "Things Fall Apart" (1958), Elechi Amadi's "The Concubine" (1966). After discussing the village as a setting for poetic expression in Things Fall Apart, this paper examines the frenetic narrative with a fantastic backdrop that Achebe perfectly depicts. Finally, this paper explores the dramatic plot which is merely a literary technical device that Elechi Amadi uses to bring out the aesthetics of the poetics of fantasy in her work "The Concubine".