Poetic Community demonstrates that the most important literary innovations of the post-war period were the results of intensive collaboration and social action opposing the Cold War’s ideological enclosures.
Poetic Community demonstrates that the most important literary innovations of the post-war period were the results of intensive collaboration and social action opposing the Cold War’s ideological enclosures.
Stephen Voyce is an assistant professor in the Department of English and a member of the Digital Studio for Public Humanities at the University of Iowa.
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Acknowledgements List of Figures Abbreviations 1. Introduction 2. Black Mountain College: A Poetic of Local Relations * Assembly Point of Acts * We are the Process: Toward a Theory of Field * To Join the Arts in Action: John Cage at the College * Polis and Totality in The Maximus Poems * For Love Revisited: Robert Creeley and the Politics of Friendship * “Public Parks” and “Poetic Communes”: Denise Levertov and Robert Duncan’s Open Form Protest 3. Caribbean Artists Movement: A Poetic of Cultural Activism * Link-up: The Poetic of a Social Movement * Underground Language * “Eating the Dead”: Kamau Brathwaite’s Arrivants in London * To Havana and Beyond: John La Rose, Andrew Salkey, and a Map for Third World Unity 4. The Women’s Liberation Movement: A Poetic for a Common World * Devising our Networks * The Tyranny of Structurelessness * Usurping the Left’s Mimeograph Machine: Robin Morgan, WITCH, and Poetic Insurrection * The Location of the Commons: Adrienne Rich, Judy Grahn, and the Building of a Common World * Consciousness-Raising as Poetic Discourse 5. Toronto Research Group: A Poetic of the Eternal Network * The Institute of Creative Misunderstanding * The Kids of the Book-Machine * A Realignment of Kinship: The Four Horsemen * The Eternal Network 6. Epilogue: Community as an Eternal Idea Notes Bibliography Index
Acknowledgements List of Figures Abbreviations 1. Introduction 2. Black Mountain College: A Poetic of Local Relations * Assembly Point of Acts * We are the Process: Toward a Theory of Field * To Join the Arts in Action: John Cage at the College * Polis and Totality in The Maximus Poems * For Love Revisited: Robert Creeley and the Politics of Friendship * “Public Parks” and “Poetic Communes”: Denise Levertov and Robert Duncan’s Open Form Protest 3. Caribbean Artists Movement: A Poetic of Cultural Activism * Link-up: The Poetic of a Social Movement * Underground Language * “Eating the Dead”: Kamau Brathwaite’s Arrivants in London * To Havana and Beyond: John La Rose, Andrew Salkey, and a Map for Third World Unity 4. The Women’s Liberation Movement: A Poetic for a Common World * Devising our Networks * The Tyranny of Structurelessness * Usurping the Left’s Mimeograph Machine: Robin Morgan, WITCH, and Poetic Insurrection * The Location of the Commons: Adrienne Rich, Judy Grahn, and the Building of a Common World * Consciousness-Raising as Poetic Discourse 5. Toronto Research Group: A Poetic of the Eternal Network * The Institute of Creative Misunderstanding * The Kids of the Book-Machine * A Realignment of Kinship: The Four Horsemen * The Eternal Network 6. Epilogue: Community as an Eternal Idea Notes Bibliography Index
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