Poems from Captain Salty's - Amram, Michael P.
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Poems from Captain Salty's uses metaphors, rhyme schemes, and word-play to mask a deeper meaning. A few are overt, and comment on issues the world needs to or has made great strides to amend. Allegories, parodies, and miscalculated tapestries imbue Salty's pages with realism. Its poems are rarely fantastical and tend to comment on legends or crumbles from the mythical properties of history. My narrative poetry comes to light in this book. I frequently depart from the metrical and lyrical sound boards that were cells to me so long. It is truly a departure for me. There are both obvious and…mehr

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Produktbeschreibung
Poems from Captain Salty's uses metaphors, rhyme schemes, and word-play to mask a deeper meaning. A few are overt, and comment on issues the world needs to or has made great strides to amend. Allegories, parodies, and miscalculated tapestries imbue Salty's pages with realism. Its poems are rarely fantastical and tend to comment on legends or crumbles from the mythical properties of history. My narrative poetry comes to light in this book. I frequently depart from the metrical and lyrical sound boards that were cells to me so long. It is truly a departure for me. There are both obvious and subtle double entendres. The poems are bold and stir the pots of diversity; they call kettles black and skim lines of perversity-just enough to simmer. They stew issues as varied as racism and women's strides toward equality. Salty's poems ponder isolation and disparity, how society has come together and how it has just as easily grown apart. His poems often confess how individuals meet briefly to compare notes from the heart. Life slowed things down for me in 2012. I like to say I retired from America. I quite gratefully left the game much of America plays where the dollar waits patiently at the end of every bank of cubicles, where CEOs get fat watching cogs oil their chairs so they swivel. I retired from one of the many incarnations of "the American dream." I decided to follow my dream, the one that begins to realize itself when that dollar is replaced with a FOR RENT sign at the end of cubicles. At mid-way in life, money is not everything. In fact, it was never really anything to me except a means to a tenuous life of the odd extravagance. Peace of mind, enjoying life, and living far, far off anyone's time continuum can last at least thirty years. Now, in 2015, that pendulous life I fed for years is remembered more as a nightmare. I savor life, I favor it and see it for what it is- or was. Captain Salty is a metaphor. He's a sailor, a fisherman, a- salt of the earth. He is a repentant pirate, a retired buccaneer watching sea squalls and albatrosses beneath a beard. To him life's a puzzle, and his has been lived piecemeal. He's seen America at its best, its worst, and the odd peace between the two states.
Autorenporträt
I earned a BA degree in English from the University of Minnesota-Duluth in 1989. Success, having my writing read and possibly bought, was always the plan. To implement it, I began writing stories, poetry, snippets of everything I saw. Before I was married, I lived (and made it out alive) in a very much crack-infested urban area of South Minneapolis. I dealt with roaches, crack-heads and shrill siren sounds every night. The days, hanging out at Brit's Pub, gave me insight to how the have-nots live. I grew up in the relatively tranquil suburb of Richfield, Minnesota. During and after college I traveled. Germany, France, Egypt, England, Israel, Norway can be claimed as places I've visited, derived poems from, recorded my benign experiences. My first Poetry book, Scenes the Writer Shows {forty-one places a poem can go} conspires to retell the snippets of life abroad. My pose has so far manifested itself in the genres of nonfiction, creative nonfiction, and historical fiction. My first novel, The Orthodoxy of Arrogance (Trafford, 2013) is historical fiction. My second novel, Agent of Orange (Trafford, 2014) also fictionalizes history in a way James A Michener never did. I relate fads, trends, and news events of the time to my characters. I write how they live, what they learn, and how the events affect their lives. My first effort was a small nonfiction book called Would God Move a Ping-Pong Table: a cumulative analysis of faith and religion (Loft Press, 2005). This book follows religion, and the faith it requires, from the Inquisition to the September 11 terrorist attacks. It is full of factual information dealing with everything from faith healing to the Golden Rule. The only part that borders on creative nonfiction is the chapter from which the title comes. At UMD I prayed for a Ping-Pong table to be moved, and it was, ostensibly by supernatural forces. My other shorter stories have been published in paper and online magazines, anthologies, and journals. My first occurred in 1998. I currently participate in a writer's group at the Loft Literary Center in Minneapolis.