Excavates the contemporary revival of 19th-century cultural pluralism, revealing how American novelists since the 1990s have appropriated the historical novel in the pursuit of selfhood rather than truth, fundamentally repositioning the genre in American culture.
Excavates the contemporary revival of 19th-century cultural pluralism, revealing how American novelists since the 1990s have appropriated the historical novel in the pursuit of selfhood rather than truth, fundamentally repositioning the genre in American culture.
Introduction: Saving Private Ryan, the End of the Cold War, and the Value of Historical Experience The Uses of History: From Nineteenth-Century Historicism to Twenty-First-Century Pluralism "No Longer and Not Yet": Don DeLillo and the Aftermath of the Cold War After Race: Body Language and Historiography in Toni Morrison's Beloved and A Mercy "A Singular Act of Invention": Storytelling, Pluralism, and Philip Roth's American Trilogy Lukácsian Aesthetics, Self-Creation, and Richard Powers's Plowing the Dark Epilogue Notes Bibliography Index
Introduction: Saving Private Ryan, the End of the Cold War, and the Value of Historical Experience The Uses of History: From Nineteenth-Century Historicism to Twenty-First-Century Pluralism "No Longer and Not Yet": Don DeLillo and the Aftermath of the Cold War After Race: Body Language and Historiography in Toni Morrison's Beloved and A Mercy "A Singular Act of Invention": Storytelling, Pluralism, and Philip Roth's American Trilogy Lukácsian Aesthetics, Self-Creation, and Richard Powers's Plowing the Dark Epilogue Notes Bibliography Index
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