'Is that a gun in your pocket, or are you just pleased to see me?' Mae West's racy wisecrack could have been aimed at this book which is packed with 69 high-calibre, sharp-shooting poems. Pleased to See Me bulges with boldly playful and seriously sensual treatments of everything you ever wanted to know about sex but never thought to find in a poem.
'Is that a gun in your pocket, or are you just pleased to see me?' Mae West's racy wisecrack could have been aimed at this book which is packed with 69 high-calibre, sharp-shooting poems. Pleased to See Me bulges with boldly playful and seriously sensual treatments of everything you ever wanted to know about sex but never thought to find in a poem.
Neil Astley is editor of Bloodaxe Books, which he founded in 1978. His books include novels, poetry collections and anthologies, most notably those in Bloodaxe's Staying Alive anthology series: Staying Alive (2002), Being Alive (2004), Being Human (2011), and Staying Human (2020), a Poetry Book Society Special Commendation; and three collaborations with Pamela Robertson-Pearce, Soul Food: nourishing poems for starved minds (2008), and the DVD-books In Person: 30 Poets (2008) and In Person: World Poets (2017). He has published two novels, The End of My Tether (2002), which was shortlisted for the Whitbread First Novel Award, and The Sheep Who Changed the World (2005). He received an Eric Gregory Award for his poetry, was given a D.Litt from Newcastle University for his work with Bloodaxe Books, and in 2018 was made an Honorary Fellow of the Royal Society of Literature. He also guest-edited a transatlantic all-poetry issue of the American literary journal Ploughshares, the first such issue in its 43-year history. He lives in the Tarset Valley of Northumberland, England.
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