From student protests over the teaching of canonical texts such as Plato's Republic to the use of images of classical Greek statues in white supremacist propaganda, the world of the ancient Greeks is deeply implicated in a heated contemporary debate about identity and diversity. In Plato's Caves, Rebecca LeMoine defends the bold thesis that Plato was a friend of cultural diversity, contrary to many contemporary perceptions. Through close readings of four Platonic dialogues--Republic, Menexenus, Laws, and Phaedrus--LeMoine shows that, across Plato's dialogues, foreigners play a role similar to…mehr
From student protests over the teaching of canonical texts such as Plato's Republic to the use of images of classical Greek statues in white supremacist propaganda, the world of the ancient Greeks is deeply implicated in a heated contemporary debate about identity and diversity. In Plato's Caves, Rebecca LeMoine defends the bold thesis that Plato was a friend of cultural diversity, contrary to many contemporary perceptions. Through close readings of four Platonic dialogues--Republic, Menexenus, Laws, and Phaedrus--LeMoine shows that, across Plato's dialogues, foreigners play a role similar to that of Socrates: liberating citizens from intellectual bondage.
Rebecca LeMoine is Associate Professor of Political Science at Florida Atlantic University. She has published work in academic journals including the American Political Science Review, History of Political Thought, and Polis: The Journal for Ancient Greek and Roman Political Thought.
Inhaltsangabe
* Acknowledgments * 1. Introduction * 2. Setting the Stage: A World of Caves * Part I: Athenians and foreigners * 3. The Panharmonic Music of the Piraeus: Diversity, Democracy, and Philosophy in the Republic * 4. Civic Myths through Immigrant Voices: Aspasia as Gadfly in the Menexenus * Part II: Athenians as foreigners * 5. An Athenian in Crete: Moderating the Song of the Armed Camp in the Laws * 6. Socrates the Foreigner? Self-Examination and Civic Identity in the Phaedrus * 7. Conclusion * Notes * Bibliography * Index
* Acknowledgments * 1. Introduction * 2. Setting the Stage: A World of Caves * Part I: Athenians and foreigners * 3. The Panharmonic Music of the Piraeus: Diversity, Democracy, and Philosophy in the Republic * 4. Civic Myths through Immigrant Voices: Aspasia as Gadfly in the Menexenus * Part II: Athenians as foreigners * 5. An Athenian in Crete: Moderating the Song of the Armed Camp in the Laws * 6. Socrates the Foreigner? Self-Examination and Civic Identity in the Phaedrus * 7. Conclusion * Notes * Bibliography * Index
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