Pierre Boulez: The Formative Years mixes a biographical journey with the musical development of the central twentieth-century composer Pierre Boulez. The book is chronologized into three parts, each with a different thematic emphasis: Boulez's early life and education, his musical works and experimentation, and his legacy among contemporary aesthetic movements and artistic challenges.
Pierre Boulez: The Formative Years mixes a biographical journey with the musical development of the central twentieth-century composer Pierre Boulez. The book is chronologized into three parts, each with a different thematic emphasis: Boulez's early life and education, his musical works and experimentation, and his legacy among contemporary aesthetic movements and artistic challenges.
Joseph R. Salem is Associate Professor in Musicology at the University of Victoria. His research interests include musical semiotics, form, post-war music, non-notated music, and sound studies.
Inhaltsangabe
Part I: A Path Toward Integrating Serialism Acknowledgements Notes on Sources and Abbreviations Preface Introduction A Short Primer on Boulez's Sketch Types and Procedures Chapter 1: From Pianist to Composer Rural Roots Transitioning to Paris Chapter 2: Student Efforts "Influences" versus "Teachers" Specters of Messiaen Leibowitz and Dodecaphony The Emergence of an Original Voice Chapter 3: Conventional Titles, Unconventional Forms Structuralism, Surrealism, Schloezer, and Char The Sonatine for flute and piano The First Piano Sonata Souvtchinsky, Souris, and the Second Piano Sonata Part II: The Challenges of Integral Serialism Chapter 4: Before Integration Experimenting with Cage Failure without Defeat: Polyphonie X Chapter 5: Self-Ordained Stockhausen and the Studio The Death of Schoenberg The ABC's of Structures, Book 1 Chapter 6: Other Theatrics The Tremendous Influence of Incidental Music Boulez's Künstlerroman: Marteau as Cumulative Synthesis Postlude-The Darmstadt School Part III: Testing the Limits of Serialism Chapter 7: Competing Trajectories How blocs sonores Changed Everything A Triptych, Part I: L'Orestie and the Theater A Triptych, Part II: More Structures A Triptych, Part III: A Third Sonata Chapter 8: The Politics of Poetics A New Approach to Prose Darmstadt, Revised Chapter 9: Stereophony and Spirals Virtual Doubles: Figures-Doubles-Prisms Spiraling Poetry: Poésie pour pouvoir Chapter 10: An Expanding Universe Becoming Bourgeois (and a Conductor) The Power of Unpublished Works: Strophes and "Don" for piano Chapter 11: Folding Space and Time Improvisation I Improvisation II Improvisation II Bookends: Tombeau and Don Epilogue Bibliography Index
Part I: A Path Toward Integrating Serialism Acknowledgements Notes on Sources and Abbreviations Preface Introduction A Short Primer on Boulez's Sketch Types and Procedures Chapter 1: From Pianist to Composer Rural Roots Transitioning to Paris Chapter 2: Student Efforts "Influences" versus "Teachers" Specters of Messiaen Leibowitz and Dodecaphony The Emergence of an Original Voice Chapter 3: Conventional Titles, Unconventional Forms Structuralism, Surrealism, Schloezer, and Char The Sonatine for flute and piano The First Piano Sonata Souvtchinsky, Souris, and the Second Piano Sonata Part II: The Challenges of Integral Serialism Chapter 4: Before Integration Experimenting with Cage Failure without Defeat: Polyphonie X Chapter 5: Self-Ordained Stockhausen and the Studio The Death of Schoenberg The ABC's of Structures, Book 1 Chapter 6: Other Theatrics The Tremendous Influence of Incidental Music Boulez's Künstlerroman: Marteau as Cumulative Synthesis Postlude-The Darmstadt School Part III: Testing the Limits of Serialism Chapter 7: Competing Trajectories How blocs sonores Changed Everything A Triptych, Part I: L'Orestie and the Theater A Triptych, Part II: More Structures A Triptych, Part III: A Third Sonata Chapter 8: The Politics of Poetics A New Approach to Prose Darmstadt, Revised Chapter 9: Stereophony and Spirals Virtual Doubles: Figures-Doubles-Prisms Spiraling Poetry: Poésie pour pouvoir Chapter 10: An Expanding Universe Becoming Bourgeois (and a Conductor) The Power of Unpublished Works: Strophes and "Don" for piano Chapter 11: Folding Space and Time Improvisation I Improvisation II Improvisation II Bookends: Tombeau and Don Epilogue Bibliography Index
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