The book offers new insights into the relation of film to the tradition of 19th-century optical transcription, highlighting practices that help characterise "cinemabefore the advent of cinema.
The book offers new insights into the relation of film to the tradition of 19th-century optical transcription, highlighting practices that help characterise "cinemabefore the advent of cinema.
John Fullerton is Professor of Cinema Studies at Stockholm University.
Inhaltsangabe
Chapter One: To Mexico and Central America via Jerusalem, Thebes, and Baalbek: three panoramas after Catherwood Chapter Two: The camera lucida, topographical representation, and the picturesque in early-nineteenth-century Britain and Mexico Chapter Three: Investigating antiquities in Central America and Yucatán before the 1840s, and the reception of Stephens and Catherwood Chapter Four: Picturing antiquities in Central America and Yucatán in the 1840s: Stephens and Catherwood Chapter Five: Picturing Mexico in lithographs, photographs, and film Epilogue Notes Selected Bibliography Illustrations Index
Chapter One: To Mexico and Central America via Jerusalem, Thebes, and Baalbek: three panoramas after Catherwood Chapter Two: The camera lucida, topographical representation, and the picturesque in early-nineteenth-century Britain and Mexico Chapter Three: Investigating antiquities in Central America and Yucatán before the 1840s, and the reception of Stephens and Catherwood Chapter Four: Picturing antiquities in Central America and Yucatán in the 1840s: Stephens and Catherwood Chapter Five: Picturing Mexico in lithographs, photographs, and film Epilogue Notes Selected Bibliography Illustrations Index
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