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PICTURE FRAMING- MODERN METHODS OF MAKING AND FINISHING PICTURE FRAMES by EDWARD LANDON. Contents include: I ABOUT PICTURE FRAMES i II TOOLS AND EQUIPMENT 9 III MOULDINGS 28 IV MTTER CUTTING 34 V JOINING THE FRAME 42 VI INSERTS OR LININGS 51 VII FINISHES 57 VIII DECORATIONS 88 IX REPAIRING DAMAGES 93 X MATS AND MAT-CUTTING 97 XI MOUNTING PICTURES 105 XII PASSE-PARTOUT 116 XIII GLASS-CUTTING 118 XIV ASSEMBLING 121 XV EXPERIMENTAL FRAMES ORIGINAL DESIGNS . . . 134 XVI SOURCES OF SUPPLIES . 141 XVII INDEX 144. CHAPTER ONE. ABOUT PICTURE FRAMES. THE PICTURE FRAME, as it exists today, is derived from the doorway or entrance to temples, palaces and cathedrals. From a functional viewpoint, it might have been more practical to place doors at the sides of these buildings, but the impor tance of the door framing an impressive picture of the interior was never overlooked. The need to enhance a picture or bas-relief with a frame is evidenced from the earliest times. The first decorations were nece