Photography in India
From Archives to Contemporary Practice
Herausgeber: Blaney, Aileen; Shar, Chinar
Photography in India
From Archives to Contemporary Practice
Herausgeber: Blaney, Aileen; Shar, Chinar
- Gebundenes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
Photography's prominence in the representation and experience of India in contemporary and historical times has not guaranteed it a position of sustained attention in research and scholarship. For a technology as all pervasive as photography, and a country as colossal as India, this scenario is somewhat of an anomaly.
Andere Kunden interessierten sich auch für
- Lorena RizzoPhotography and History in Colonial Southern Africa182,99 €
- Jelena StojkovicSurrealism and Photography in 1930s Japan149,99 €
- Nineteenth-Century Photographs and Architecture182,99 €
- Yiyan WangModern Art for a Modern China182,99 €
- Margaret HillenbrandNegative Exposures115,99 €
- Yogesh SnehiSpatializing Popular Sufi Shrines in Punjab182,99 €
- Allen MeekBiopolitical Media182,99 €
-
-
-
Photography's prominence in the representation and experience of India in contemporary and historical times has not guaranteed it a position of sustained attention in research and scholarship. For a technology as all pervasive as photography, and a country as colossal as India, this scenario is somewhat of an anomaly.
Produktdetails
- Produktdetails
- Verlag: Bloomsbury Academic
- Seitenzahl: 272
- Erscheinungstermin: 6. Februar 2020
- Englisch
- Abmessung: 236mm x 157mm x 23mm
- Gewicht: 739g
- ISBN-13: 9781350027886
- ISBN-10: 135002788X
- Artikelnr.: 47975012
- Verlag: Bloomsbury Academic
- Seitenzahl: 272
- Erscheinungstermin: 6. Februar 2020
- Englisch
- Abmessung: 236mm x 157mm x 23mm
- Gewicht: 739g
- ISBN-13: 9781350027886
- ISBN-10: 135002788X
- Artikelnr.: 47975012
Aileen Blaney is an educator, writer and researcher with an M.Phil and Ph.D. in Film Studies from Trinity College Dublin, Ireland. At Srishti, Aileen teaches in the PhD program, is Course Leader for the Postgraduate program in Screen Studies and delivers 'General Studies' courses in film, photography and visual theory and criticism at undergraduate level. Chinar Shah is a photo-based artist from India. She currently is a course leader for Photography at Srishti Institute of Art, Design and Technology, Bangalore.
Foreword Anna Fox, University for the Creative Arts, Farnham, UK 1.
Introduction Aileen Blaney, Srishti Institute of Art, Design and
Technology, India Part I: Photographic Time and Memory 1. In the Theatre of
Memory: The Work of Contemporary Art in the Photographic Archive Raqs Media
Collective 2. Lady Harriot Dufferin's Indian Album: 'My First Efforts in
Photography, 1886' Denise A. Wilson 3. Itinerant Photography: Medium and
Translation in the work of Imran Channa Zahid Chaudhary 4. Images of Deaths
and Marriages: Syrian Christian Family Albums and Oral Histories in Kerala
Pooja Sagar 5. All 'Dressed Up': Costume, Fashion and Identity in the
Photographs of Homai Vyarawalla Sabeena Gadihoke 6. Putting Women in the
Picture: The Role of Photography in Mobilizing Support for the Indian
Emergency (1975-77) Gemma Scott 7. Copying and De-synchronizing: Performing
the Past in Contemporary Indian Photography.Christopher Pinney Part II:
Photographies in Contemporary India 8. Photography at the Edge of
Representation?: Rethinking Photographs of Rural India Kathleen L. Wyma 9.
Interrogating 'Credible Chhattisgarh': Photography and the Construction of
a New Indian State Avrati Bhatnagar 10. Silenced Ruptures, Images from 2002
Gujarat Riots Chinar Shah 11. Satellite Images in India: Remotely Sensed
and Ambiguously Accessed Muthatha Ramanathan 12. The Self Is as the Selfie
Does: Three Propositions for the Selfie in the Digital Turn Nishant Shah
13. The Unfolding of the Networked Image: An Oscillation between a Simple
Visibility and an Invisible Complexity Fabien Charuau 14. Post-Photography
and Missing Images Joan Fontcuberta, Translation by Ana Mahé Afterword Fred
Richin
Introduction Aileen Blaney, Srishti Institute of Art, Design and
Technology, India Part I: Photographic Time and Memory 1. In the Theatre of
Memory: The Work of Contemporary Art in the Photographic Archive Raqs Media
Collective 2. Lady Harriot Dufferin's Indian Album: 'My First Efforts in
Photography, 1886' Denise A. Wilson 3. Itinerant Photography: Medium and
Translation in the work of Imran Channa Zahid Chaudhary 4. Images of Deaths
and Marriages: Syrian Christian Family Albums and Oral Histories in Kerala
Pooja Sagar 5. All 'Dressed Up': Costume, Fashion and Identity in the
Photographs of Homai Vyarawalla Sabeena Gadihoke 6. Putting Women in the
Picture: The Role of Photography in Mobilizing Support for the Indian
Emergency (1975-77) Gemma Scott 7. Copying and De-synchronizing: Performing
the Past in Contemporary Indian Photography.Christopher Pinney Part II:
Photographies in Contemporary India 8. Photography at the Edge of
Representation?: Rethinking Photographs of Rural India Kathleen L. Wyma 9.
Interrogating 'Credible Chhattisgarh': Photography and the Construction of
a New Indian State Avrati Bhatnagar 10. Silenced Ruptures, Images from 2002
Gujarat Riots Chinar Shah 11. Satellite Images in India: Remotely Sensed
and Ambiguously Accessed Muthatha Ramanathan 12. The Self Is as the Selfie
Does: Three Propositions for the Selfie in the Digital Turn Nishant Shah
13. The Unfolding of the Networked Image: An Oscillation between a Simple
Visibility and an Invisible Complexity Fabien Charuau 14. Post-Photography
and Missing Images Joan Fontcuberta, Translation by Ana Mahé Afterword Fred
Richin
Foreword Anna Fox, University for the Creative Arts, Farnham, UK 1.
Introduction Aileen Blaney, Srishti Institute of Art, Design and
Technology, India Part I: Photographic Time and Memory 1. In the Theatre of
Memory: The Work of Contemporary Art in the Photographic Archive Raqs Media
Collective 2. Lady Harriot Dufferin's Indian Album: 'My First Efforts in
Photography, 1886' Denise A. Wilson 3. Itinerant Photography: Medium and
Translation in the work of Imran Channa Zahid Chaudhary 4. Images of Deaths
and Marriages: Syrian Christian Family Albums and Oral Histories in Kerala
Pooja Sagar 5. All 'Dressed Up': Costume, Fashion and Identity in the
Photographs of Homai Vyarawalla Sabeena Gadihoke 6. Putting Women in the
Picture: The Role of Photography in Mobilizing Support for the Indian
Emergency (1975-77) Gemma Scott 7. Copying and De-synchronizing: Performing
the Past in Contemporary Indian Photography.Christopher Pinney Part II:
Photographies in Contemporary India 8. Photography at the Edge of
Representation?: Rethinking Photographs of Rural India Kathleen L. Wyma 9.
Interrogating 'Credible Chhattisgarh': Photography and the Construction of
a New Indian State Avrati Bhatnagar 10. Silenced Ruptures, Images from 2002
Gujarat Riots Chinar Shah 11. Satellite Images in India: Remotely Sensed
and Ambiguously Accessed Muthatha Ramanathan 12. The Self Is as the Selfie
Does: Three Propositions for the Selfie in the Digital Turn Nishant Shah
13. The Unfolding of the Networked Image: An Oscillation between a Simple
Visibility and an Invisible Complexity Fabien Charuau 14. Post-Photography
and Missing Images Joan Fontcuberta, Translation by Ana Mahé Afterword Fred
Richin
Introduction Aileen Blaney, Srishti Institute of Art, Design and
Technology, India Part I: Photographic Time and Memory 1. In the Theatre of
Memory: The Work of Contemporary Art in the Photographic Archive Raqs Media
Collective 2. Lady Harriot Dufferin's Indian Album: 'My First Efforts in
Photography, 1886' Denise A. Wilson 3. Itinerant Photography: Medium and
Translation in the work of Imran Channa Zahid Chaudhary 4. Images of Deaths
and Marriages: Syrian Christian Family Albums and Oral Histories in Kerala
Pooja Sagar 5. All 'Dressed Up': Costume, Fashion and Identity in the
Photographs of Homai Vyarawalla Sabeena Gadihoke 6. Putting Women in the
Picture: The Role of Photography in Mobilizing Support for the Indian
Emergency (1975-77) Gemma Scott 7. Copying and De-synchronizing: Performing
the Past in Contemporary Indian Photography.Christopher Pinney Part II:
Photographies in Contemporary India 8. Photography at the Edge of
Representation?: Rethinking Photographs of Rural India Kathleen L. Wyma 9.
Interrogating 'Credible Chhattisgarh': Photography and the Construction of
a New Indian State Avrati Bhatnagar 10. Silenced Ruptures, Images from 2002
Gujarat Riots Chinar Shah 11. Satellite Images in India: Remotely Sensed
and Ambiguously Accessed Muthatha Ramanathan 12. The Self Is as the Selfie
Does: Three Propositions for the Selfie in the Digital Turn Nishant Shah
13. The Unfolding of the Networked Image: An Oscillation between a Simple
Visibility and an Invisible Complexity Fabien Charuau 14. Post-Photography
and Missing Images Joan Fontcuberta, Translation by Ana Mahé Afterword Fred
Richin