Emphasizing the mediumâ s reception among several Chinese constituencies, this book explores photographyâ s impact within new discourses on science, as well its effects in social life, visual modernity and the media during Chinaâ s transition from imperial to republican government.
Emphasizing the mediumâ s reception among several Chinese constituencies, this book explores photographyâ s impact within new discourses on science, as well its effects in social life, visual modernity and the media during Chinaâ s transition from imperial to republican government.
Oliver Moore is professor of Chinese language and culture at the University of Groningen in the Netherlands. His research focuses on early and modern art history in China.
Inhaltsangabe
Introduction. PART 1: Science 1. Methods of Invention 2. Terms of Description PART 2: COMMERCE 3. Sites of Production 4. Interiors of the Imagination PART 3: COMMUNICATION 5. Categories of Content 6. Circuits of Communication
Introduction. PART 1: Science 1. Methods of Invention 2. Terms of Description PART 2: COMMERCE 3. Sites of Production 4. Interiors of the Imagination PART 3: COMMUNICATION 5. Categories of Content 6. Circuits of Communication
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